Sunday, September 14, 2008

George Inness The Trout Brook painting

George Inness The Trout Brook paintingGeorge Inness The Delaware Water Gap paintingPierre Auguste Renoir Au bord de la mer painting
Hot pants," Greene corrected. "But what the heck anyhow."
"Da.Irrelevanceness."
That, Stoker went on, had been the matter of the quarrel between his prisoners, presently so amicable: Greene had chauffeured Anastasia to the Powerhouse at my request, and, eager as he was to reunite with his family at the Pedal Inn, had lingered on to drink a farewell toast or two with Leonid. The Nikolayan, determined to act selfishly but uncertain how, had left Main Detention not by his own skill but, like Croaker, under Rexford's amnesty, which he'd judged it selfish to take advantage of, and made his way to the Powerhouse resolved to be a double agent for East and West. Encountering Greene at the orgy-in-process, he had clinked glasses with his former cellmate, the one drinking vodka, the other corn. First they'd toasted Max, who'd elected not to leave Main Detention: "Decent a Moishan as ever deserved Shafting," Greene had called him, and Leonid "the unselfnessest martyrty." Next, with increasing sharpness, they'd saluted each other: "A durn fine Joe, for a Founderless Student-Unie"; "Lawlest Informationaler blind-bat, but I like okay!" And finally they'd drunk to Anastasia, who with tearful eyes and liquorous breath had offered to service

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