Sunday, August 31, 2008

Johannes Vermeer Girl with a Pearl Earring painting

Johannes Vermeer Girl with a Pearl Earring paintingJohannes Vermeer girl with the pearl earring paintingGustav Klimt The Three Ages of Woman painting
Kissher!" Anastasia insisted, drawing us together. Bray's voice clicked jovially towards us down the aisle: "What is it, Anastasia? Reunion, did you say?"
"Oh my, no," Virginia Hector said. "Oh well! My!"
"The Goat-Boy himself," Bray said. "Good evening to you, Miss Hector; I hope the noise outside hasn't disturbed you. A most upsetting situation."
He put his arm familiarly about Anastasia's waist as he spoke; even whispered something in her ear, whereat she quickly lowered her eyes and drew in her lips.
"Stop touching her!" I demanded. "Take your hands off my sister!" I blushed, whether at the term or from anger at Bray. Anastasia colored also, but clearly with pleasure, and went obediently to her mother's side.
"What's this I hear?" Bray's tone I judged to be amused.
"Goodness me," Miss Hector sighed at the same time; but the whimsicality in her voice verged upon hysteria.
"Lady Creamhair --" I began again. At once she shut her eyes fast, and set her mouth against the name. "You know who I am. You knew all along!"
"Oh no sirree Bob. . ."
Touching her arm I reminded her, as Anastasia looked on amazed, of our seasons in the hemlock-grove, of her endless patience and wondrous solicitude;

Friday, August 29, 2008

Fabian Perez Sophia painting

Fabian Perez Sophia paintingFabian Perez Man in Black Suit paintingFabian Perez Lucy painting
any case, he said, he was aware how close and crucial was the race between Nikolay and NTC to perfect the "dreadfulship" of their respective EATing capacities; realizing also that a man with his peculiar talent for "releaseness" would be in an advantageous position in the Control Room to aid the cause of his alma mater, he had resolved to slip through the electrified screen, kidnap some eminent -scientist from the West-Campus side, and by spiriting him over the Power Line put the Nikolayans ahead in the EAT-race, redeem his past failings, and become an honored and respected member of the Student Union like his father.
"But!" He gave a vast sly shrug. "I come here to say goodbye to father, I see instead Rexford -- I admire! A forgetness; you catch me; I'm disgrace!" He seemed altogether pleased with himself. The New Tammany officials glanced at one another.
"You should be ashamed of yourself," I told him. One official frowned and asked another who the flunk I was anyhow; some reply was whispered into his ear. Leonid Andreich, as if reminded by my words that a man in disgrace did not ordinarily cross

Tuesday, August 26, 2008

Dirck Bouts Resurrection painting

Dirck Bouts Resurrection paintingDirck Bouts The Gathering of the Manna paintingDirck Bouts The Meeting of Abraham and Melchizedek painting
Why is Max taking solong?" I asked him. He shrugged his eyebrows and marveled skeptically at Bray's announced intention of entering WESCAC's Belly.
"I'm going up and try to find Max," I announced. "Croaker will be all right with my stick to chew on."
But the aisle as Bray drew nearer was choked with the curious and troubled, who far outnumbered the mockers. "Can you cure cancer of the cervix?" I heard someone shout.
"I know the way!" Bray called back. His face was ruddy; his eyes were dark and glintish.
"How'd you ever fly down like that?" asked another.
"I have the Answers!" Bray replied.
I forced my way into the aisle behind Peter Greene, who I thought had heard my intention and was clearing a path for me. But he turned -- Bray was no more than ten steps below us now -- and called down to him between cupped hands:
"S'pose a fellow's lost one eyeball? Ain't nothing you can do 'bout that! Is there?"
"Come along and see!" the man called back.
Max had to be found at once. I left Peter Greene to his delusions and struggled through the crowd to the exit. The first uniformed attendant I met -- a slack-mouthed

Monday, August 25, 2008

Thomas Kinkade Living Waters painting

Thomas Kinkade Living Waters paintingThomas Kinkade La Jolla Cove paintingThomas Kinkade elegant evening painting
commiserated for the loss of both his eye and their last night to spend together on Great Mall. More to his chagrin, now that making love was out of the question he was splendidly erect, nor did any amount of ironic remark upon this phenomenon at all diminish it. Nay, his pain and the blindfold of bandages notwithstanding, he lusted more powerfully than ever before; her consolatory kisses only inflamed him; he must have her then and there, nurses be flunkèd; she must close and block the door and come at once to bed. Reluctant at first, she was at last brought blushing to it, rather to his surprise: protesting soft but breathing hard she slipped out of her shoes and between his sheets, and the sweet deed was done.
"Well, sir," Greene declared -- more as one beginning than concluding a story: "I told her the honest truth then: how it was my first time, and I never had actually swived old O.B.G.'s daughter."
This news, he said (when Max returned to partial slumber after stirring to remark thatswive was a fine old verb whose desuetude in all but a few back-campus areas was much to be deplored, as it left the language with no term forservice that was not obscene, clinical

Sunday, August 24, 2008

Thomas Kinkade Spirit of Christmas painting

Thomas Kinkade Spirit of Christmas paintingThomas Kinkade San Francisco Fisherman's Wharf paintingThomas Kinkade Paris City of Lights painting
his Graduates could hear. We all put little microphones between our legs and made Organic Harmony. That's what he said the Answer was -- of the Spheres! He particularly liked Stacey'stimbre when he tuned her in, and she swore she could hear something, too, like singing. AllI could hear from anybody was farts and static. . . Have a bite to eat?"
A waiter had paused before us with a tray of burnt and dismembered chicken-bodies. Stoker helped himself to two handfuls; I turned away to keep from retching at the sight.
"Sorry, old man; forgot." He sent the waiter off with orders to find a plate of hay, offering me in the meantime a handful of paper napkins by way ofhors invented called Psychophysics. Something to do with the Third Law of Emotion, and the mind as a Reaction Engine. . . I forget exactly. Anyhow he said we'd never reach Commencement Gate because we'd lost our compression and had no spark; we were too choked up; the

Friday, August 22, 2008

Pino pino color painting

Pino pino color paintingPino Angelica paintingPablo Picasso Le Moulin de la Galette painting
about me with my stick till it flew from my hand. I had been fetched already some meters into the stream before I noticed that the arms about my middle were black ones; my struggles then disclosed my assailant to be wrapperless -- more I could not see -- and for an instant my heart thrilled: G. Herrold was it then, not drowned after all? Or was his ghost come back to wrestle as of old, or fetch me over to our hearts' desire, or -- fearful thought! -- drag me under with him?
This last seemed likeliest, once \ had proposed it; not only did it match the tales I'd read of spookly retribution, but in fact I fell or was flung now into the water, and found myself fighting the current as well as my attacker. I managed once to cry G. Herrold's name, and heard a grunting reply before my ears and mouth filled up with water. Then I had no time to care what had leaped me: I fought for air and footholds, struggling upstream against his clutch as he strove to pull me down, and always, despite

Thursday, August 21, 2008

Pierre Auguste Renoir The Umbrellas painting

Pierre Auguste Renoir The Umbrellas paintingPierre Auguste Renoir Sleeping Girl paintingPierre Auguste Renoir Dance at Bougival I painting
By George!" I exclaimed.
Max gestured with his open palms. "By George it didn't mean a thing, or by me either when I saw it. It don't make sense how one student could pass everything and flunk everything too. But if it meant you were going to do one or the other, like be acum laude Graduate or flunk out altogether, there were plenty students like that in the old days, and nobody put them out to die on account of it."
The only likely hypothesis, he , who had chosen to commit an extraordinary infanticide in order to be rid of me. The scheme was feasible enough: I would be found dead by some other high official within a few days (assuming they were not all in on the plot): because of the delicate involvement of WESCAC there would be no publicity, lest the Administration be embarrassed or a valuable scientist lost; the Campus Security Police would make a secret investigation, which could be thwarted by any professor-general or vice-chancellor; the findings, if any, would be submitted

Frida Kahlo My Dress Hangs There painting

Frida Kahlo My Dress Hangs There paintingFrida Kahlo Fruits of the Earth paintingFrida Kahlo Diego and I painting
Saga, and the exploits of legendary scholars who had wandered through the wilds of the ancient campus. Rich stuff. And like a starved man rendered ill by too-sudden feasting, my imagination that spring was sore blown. One day I would see myself as Great William Gruff, and Max and Lady C. as Trolls bent on keeping me, each in his fashion, from the Cabbage of a glorious destiny. Was it not that I was meant to be a splendider buck even than Brickett Ranunculus, and Lady C. had been sent by jealous powers to witch me into rude humanity? Or was it (alack) that I was of noble human birth, the stuff of chairmen and chancellors, but had -- like many another student prince-- been wizarded into beasthood by Max Spielman? Worse than either of these, another day I felt me no hero at all, not prince nor black-shagged Pyrenean, but a troll myself: a miserable freak resolved in the spite of monstership to destroy whatever decent thing came near my bridge. Thus no matter what my weather I behaved badly with one whose pardon I wretchedly craved when that weather changed; or else having injured them I despised them, out of the surplus of my loathing for myself. Painful season.

Tuesday, August 19, 2008

Thomas Kinkade Light of Freedom painting

Thomas Kinkade Light of Freedom paintingThomas Kinkade Key West painting
where, on the outskirts of the town, they found a cramped room in a tourist cabin. They were there for two weeks. They searched vainly for a place to live, there was no more room at the camp. They turned away from bleak cell-like rooms offered at five times their value, were shown huts and chicken-coops by characters whose bland country faces could not hide the sparkle, in their calculating eyes, of venal lust. The aging proprietress of the tourist camp was a scold and a cheat. And so they finally gave up. Betsy went Ho. He kissed her good-by late one rainy afternoon in the bus station, surrounded by a horde of marines and by cheap suitcases and fallen candy wrappers and the sound of fretful children— all of the unlovely mementoes, so nightmar-ishly familiar, of leave-taking and of anxiety. Of war. He felt her tears against his cheek. It had been an evil day, and the rain that streamed against the windows, blurring a distant frieze of gaunt gray pines, had seemed to nag with both remembrance and foreboding—of tropic seas, storm-swept distances and strange coasts.

Monday, August 18, 2008

Albert Bierstadt Bridal Veil Falls Yosemite painting

Albert Bierstadt Bridal Veil Falls Yosemite paintingDante Gabriel Rossetti Venus Verticordia paintingJohannes Vermeer The Guitar Player painting
Prince Lir said, "Sometimes, when he has been on the tower, there is something in his face. Not a light, exactly, but a clearness. I remember. I was little, and he never looked like that when he looked at me, or at anything else. And I had a dream." He was walking very slowly now, scuffing his feet. "I used to have a dream," he said, "the same dream over and over, about standing at my window in the middle of the night and seeing the Bull, seeing the Red Bull—" He did not finish.
"Seeing the Bull driving unicorns into the sea," Schmendrick said. "It was no dream. Haggard has them all now drifting in and out on the tides for his delight—all but one." The magician drew a deep breath. "That one is the Lady Amalthea."
"Yes," Prince Lir answered him. "Yes, I know."
Schmendrick stared at him. "What do you mean, you know?" he demanded angrily. "How could you possibly know that the Lady Amalthea is a unicorn? She can't have told you, because she doesn't remember it herself. Since you took her fancy, she has thought only of being a mortal woman." He knew quite well that the truth was the other way around, but it made no

Salvador Dali Barcelona Mannequin painting

Salvador Dali Barcelona Mannequin paintingJoseph Mallord William Turner Portsmouth paintingJoseph Mallord William Turner The Slave Ship painting
Outside, the night lay coiled in the street, cobra-cold and scaled with stars. There was no moon. Schmendrick stepped out boldly, chuckling to himself and jingling his gold coins.
Without looking at Molly, he said, "Suckers. To assume so lightly that all magicians dabble in death. Now if they had wanted me to lift the curse—ah, I might have done that for no more than the meal. I might have done it for a single glass
of wine."
"I'm glad you didn't," Molly said savagely. "They deserve their fate, they deserve worse. To leave a child out in the snow—"
"Well, if they hadn't, he couldn't have grown up to be a prince. Haven't you ever been in a fairy tale before?" The magician's voice was kind and drunken, and his eyes were as bright as his new money. "The hero has to make a prophecy come true, and the villain is the one who has to stop him— though in another kind of story, it's more often the other way around. And a hero has to be in trouble from the moment of his birth, or he's not a real hero. It's a great relief to find out about Prince Lir. I've been waiting for this tale to turn up a leading man."
The unicorn was there as a star is suddenly there, moving a little way ahead of them, a sail in the dark. Molly said, "If Lir is the hero, what is she?"

Tuesday, August 12, 2008

Unknown Artist Ford Smith Depth of Meaning painting

Unknown Artist Ford Smith Depth of Meaning paintingGeorge Frederick Watts The Spirit of Christianity paintingGeorge Frederick Watts The Recording Angel painting
the advanced scientific knowledge of other planes—for Gy is a fairly popular tourist stop— seems to rouse envy or greed or a sense of inferiority in the Gyran bosom. They go on doing exactly as they have always done, not stodgily, exactly, but with a kind of dullness, a polite indifference and impenetrability, behind which may lie supreme self-satisfaction, or something quite different.
The crasser kind of tourists from other planes refer to the Gyr, of course, as birdies, birdbrains, featherheads, and so on. Many visitors from livelier planes visit the small, placid cities, take rides out into the country in ugnunu chaises, attend sedate but charming balls (for the Gyr like to dance), and enjoy an evening at the theater, without losing one degree of their contempt for the natives. "Feathers but no wings" is the conventional judgment that sums it up.
Such patronising visitors may spend a week in Gy without ever seeing a winged native or learning that what they took for a bird or a jet was a woman on her way across the sky.

Jose Royo Primavera painting

Jose Royo Primavera paintingPino remember when paintingPino Purity painting
But that was the part of the stream to which the Huyan herders were accustomed to drive their cattle to drink. They would immediately begin pulling down the Meyunian wall. Archers of Meyun shot at them, hitting sometimes a man, sometimes a cow. The rage of Huy boiled over, and another foray burst forth from the gates of the city and retook the land west of the Alуn. Peacemakers intervened. The Council of the Fathers of Meyun met in conclave, the Council of the Mothers of Huy met in conclave, they ordered the combatants to withdraw, sent messengers and diplomats back and forth across the Alуn, tried to reach a settlement, and failed. Or sometimes they succeeded, but then a cowherd of Huy would take his cattle across the stream into the rich pastures where since time immemorial they had grazed, and cowherds of Meyun would round up the trespassing herds and drive them to the walled paddocks of their city, and the

Monday, August 11, 2008

William Merritt Chase paintings

William Merritt Chase paintings
William Blake paintings
Winslow Homer paintings
care, never tender. Slaps, shakes, curses, shouts, and threats are the stuff of every child's . Adults do try to govern their fierce tempers with children under fifteen. A violent child beater will be beaten by other adults, and a solitary who hurts children will be, literally, kicked out of the village.
The children treat all adults warily. Holding their own among their peers is less of a problem. Much of their quarrelsome behavior seems to be imitative. Veksi babies are silent, watchful, and stoical. When not with adults, Veksi children j work and play together quite peaceably. This behavior changes j as they approach the Warrior age of fifteen, when, whether driven by physiological changes or by cultural expectations, they begin to pick fights, retaliate fiercely to any slight, and indulge in prolonged sulks that flare into fits of berserk rage.
Visiting a large omedra full of wrathful people, one gets the impression that adult Veksi do nothing but shout, scold, swear, and quarrel, but the real rule of is avoidance. Most adults even in a household, certainly the solitaries, spend

Thursday, August 7, 2008

Tamara de Lempicka Adam and Eve painting

Tamara de Lempicka Adam and Eve paintingWassily Kandinsky Squares with Concentric paintingGustav Klimt Portrait of Sonja Knips painting
were the one who kept telling me the book was dangerous!'
'I'm trying to say, Harry, that you're pulling too much blame on yourself. 1 thought the Prince seemed to have a nasty sense of humour, but I would never have guessed he was a potential killer ...'
'None of us could've guessed Snape would ... you know,' said Ron.
Silence fell between them, each of them lost in their own thoughts, but Harry was sure that they, like him, were think-ing about the following morning, when Dumbledore's body would be laid to rest. Harry had never attended a funeral before; there had been no body to bury when Sirius had died. He did not know what to expect and was a little worried about what he might see, about how he would feel. He won-dered whether Dumbledore's death would be more real to him once the funeral was over. Though he had moments when the horrible fact of it threatened to overwhelm him, there were blank stretches of numbness where, despite the fact that nobody was talking about anything else in the whole castle, he still found it difficult 10 believe that Dumbledore

Wednesday, August 6, 2008

Alexandre Cabanel Fallen Angel painting

Alexandre Cabanel Fallen Angel paintingAlexandre Cabanel Cleopatra Testing Poisons on Condemned Prisoners painting
Harry felt his heart lift. It was very good not to hear words of caution and protection for once. The headmasters and head-mistresses around the walls seemed less impressed by Dumbledore's decision; Harry saw a few of them shaking their heads and Phineas Nigellus actually snorted.
"Does Voldemort know when a Horcrux is destroyed, sir? Can he feel it?" Harry asked, ignoring the portraits.
"A very interesting question, Harry. I believe not. I believe that Voldemort is now so immersed in evil, and these crucial parts of himself have been detached for so long, he does not feel as we do. Perhaps, at the point of death, he might be aware of his loss . . . but he was not aware, for instance, that the diary had been destroyed until he forced the truth out of Lucius Malfoy. When Voldemort discovered that the diary had been mutilated and robbed of all its powers, I am told that his anger was terrible to behold."
"But I thought he meant Lucius Malfoy to smuggle it into Hogwarts?"

Thomas Kinkade CHRISTMAS MEMORIES painting

Thomas Kinkade CHRISTMAS MEMORIES paintingThomas Kinkade Boston painting
Polyjuice Potion. He stole some of the Polyjuice Potion Slug-horn showed us in our first Potions lesson… There aren't a whole variety of students standing guard for Malfoy… it's just Crabbe and Goyle as usual. …Yeah, it all fits!" said Harry, jumping up and starting to pace in front of the fire. "They're stupid enough to do what they're told even if he won't tell them what he's up to, but he doesn't want them to be seen lurking around outside the Room of Requirement, so he's got them taking Polyjuice to make them look like other people… Those two girls I saw him with when he missed Quidditch — ha! Crabbe and Goyle!"
“Do you mean to say," said Hermione in a hushed voice, "that that little girl whose scales I repaired — ?"

Monday, August 4, 2008

Pierre Auguste Renoir The Boating Party Lunch painting

Pierre Auguste Renoir The Boating Party Lunch paintingPierre Auguste Renoir Dance in the Country painting
sure you'll dazzle us all with hitherto unsuspected magical skills," yawned Fred.
"And speaking of hitherto unsuspected skills, Ronald," said George, "what is this we hear from Ginny about you and a young lady called — unless our information is faulty — Lavender Brown?"
Ron turned a little pink, but did not look displeased as he turned back to the sprouts. "Mind your own Business."
"What a snappy retort," said Fred. "I really don't know how you think of them. No, what we wanted to know was... how did it happen?"
"What d'you mean?"
"Did she have an accident or something?"
"What?" ..;
"Well, how did she sustain such extensive brain damage? Care-ful, now!"
Mrs. Weasley entered the room just in time to see Ron throw the sprout knife at Fred, who had turned it into a paper airplane with one lazy flick of his wand,

Friday, August 1, 2008

Vincent van Gogh Vase with Twelve Sunflowers painting

Vincent van Gogh Vase with Twelve Sunflowers paintingVincent van Gogh The Olive Trees paintingVincent van Gogh Still Life with Open Bible painting
Well, he —"
But Mrs. Cole pulled up short, and there was nothing blurry or vague about the inquisitorial glance she shot Dumbledore over her gin glass.
"He's definitely got a place at your school, you say?"
"Definitely," said Dumbledore.
"And nothing I say can change that?"
"Nothing," said Dumbledore.
"You'll be taking him away, whatever?"
"Whatever," repeated Dumbledore gravely.
She squinted at him as though deciding whether or not to trust him. Apparently she decided she could, because she said in a sudden rush, "He scares the other children."
"You mean he is a bully?" asked Dumbledore.
"I think he must be," said Mrs. Cole, frowning slightly, "but it's very hard to catch him