Perez Valencia painting
Perez valerie painting
Perez Venice painting
Perez Venitian Cortasanas painting
" Did you kiss me, Tom?"
"Why, yes, I did."
"Are you sure you did, Tom?"
"Why, yes, I did, auntie -- certain sure."
"What did you kiss me for, Tom?"
"Because I loved you so, and you laid there moaning and I was so sorry."
The words sounded like truth. The old lady could not hide a tremor in her voice when she said:
"Kiss me again, Tom! -- and be off with you to school, now, and don't bother me any more."
The moment he was gone, she ran to a closet and got out the ruin of a jacket which Tom had gone pirating in. Then she stopped, with it in her hand, and said to herself:
"No, I don't dare. Poor boy, I reckon he's lied about it -- but it's a blessed, blessed lie, there's such a comfort come from it. I hope the Lord -- I know the Lord will forgive him, because it was such
-194-goodheartedness in him to tell it. But I don't want to find out it's a lie. I won't look."
Friday, May 30, 2008
Perez study japanese girl i painting
Perez study japanese girl i painting
Perez study japanese girl II painting
Perez study japanese girl III painting
Perez study of monica painting about to find Becky and lacerate her with the performance. At last hespied her, but there was a sudden falling of his mercury. She was sitting cosily on a little bench behind the schoolhouse looking at a picture-book with Alfred Temple -- and so absorbed were they, and their heads so close together over the book, that they did not seem to be conscious of anything in the world besides. Jealousy ran red-hot through Tom's veins. He began to hate himself for throwing away the chance Becky had offered for a reconciliation. He called himself a fool, and all the hard names he could think of. He wanted to cry with vexation. Amy chatted happily along, as they walked, for her heart was singing, but Tom's tongue had lost its function. He did not hear what Amy was saying, and whenever she paused expectantly he could only stammer an awkward assent, which was as often misplaced as otherwise. He kept drifting to the rear of the school-house, again and again, to sear his eyeballs with the hateful spectacle there. He could not help it. And it maddened him to see, as he thought he saw, that Becky Thatcher never once suspected that he was even in the land of the living. But she did see, nevertheless; and she knew she was winning her fight, too, and was glad to see him suffer as she had suffered.
Perez study japanese girl II painting
Perez study japanese girl III painting
Perez study of monica painting about to find Becky and lacerate her with the performance. At last hespied her, but there was a sudden falling of his mercury. She was sitting cosily on a little bench behind the schoolhouse looking at a picture-book with Alfred Temple -- and so absorbed were they, and their heads so close together over the book, that they did not seem to be conscious of anything in the world besides. Jealousy ran red-hot through Tom's veins. He began to hate himself for throwing away the chance Becky had offered for a reconciliation. He called himself a fool, and all the hard names he could think of. He wanted to cry with vexation. Amy chatted happily along, as they walked, for her heart was singing, but Tom's tongue had lost its function. He did not hear what Amy was saying, and whenever she paused expectantly he could only stammer an awkward assent, which was as often misplaced as otherwise. He kept drifting to the rear of the school-house, again and again, to sear his eyeballs with the hateful spectacle there. He could not help it. And it maddened him to see, as he thought he saw, that Becky Thatcher never once suspected that he was even in the land of the living. But she did see, nevertheless; and she knew she was winning her fight, too, and was glad to see him suffer as she had suffered.
Perez lucianas diaries painting
Perez lucianas diaries painting
Perez Lucy painting
Perez lunares negros ii painting
Perez lunaresnegrasv painting
"It was right here. Oh, if it was to do over again, I wouldn't say that -- I wouldn't say it for the whole world. But he's gone now; I'll never, never, never see him any more."
-174-
This thought broke her down, and she wandered away, with tears rolling down her cheeks. Then quite a group of boys and girls -- playmates of Tom's and Joe's -- came by, and stood looking over the paling fence and talking in reverent tones of how Tom did so-and-so the last time they saw him, and how Joe said this and that small trifle (pregnant with awful prophecy, as they could easily see now!) -- and each speaker pointed out the exact spot where the lost lads stood at the time, and then added something like "and I was a-standing just so -- just as I am now, and as if you was him -- I was as close as that -- and he smiled, just this way -- and then something seemed to go all over me, like -- awful, you know -- and I never thought what it meant, of course, but I can see now!"
Then there was a dispute about who saw the dead boys last in life, and many claimed that dismal distinction, and offered evidences, more or less tampered with by the witness; and
Perez Lucy painting
Perez lunares negros ii painting
Perez lunaresnegrasv painting
"It was right here. Oh, if it was to do over again, I wouldn't say that -- I wouldn't say it for the whole world. But he's gone now; I'll never, never, never see him any more."
-174-
This thought broke her down, and she wandered away, with tears rolling down her cheeks. Then quite a group of boys and girls -- playmates of Tom's and Joe's -- came by, and stood looking over the paling fence and talking in reverent tones of how Tom did so-and-so the last time they saw him, and how Joe said this and that small trifle (pregnant with awful prophecy, as they could easily see now!) -- and each speaker pointed out the exact spot where the lost lads stood at the time, and then added something like "and I was a-standing just so -- just as I am now, and as if you was him -- I was as close as that -- and he smiled, just this way -- and then something seemed to go all over me, like -- awful, you know -- and I never thought what it meant, of course, but I can see now!"
Then there was a dispute about who saw the dead boys last in life, and many claimed that dismal distinction, and offered evidences, more or less tampered with by the witness; and
painting in oil
painting in oil
oil painting for sale
by another came, a little stronger. Then another. Then a faint moan came sighing through the branches of the forest and the boys felt a fleeting breath upon their cheeks, and shuddered with the fancy that the Spirit of the Night had gone by. There was a pause. Now a weird flash turned night into day and showed every little grass-blade, separate and distinct, that grew about their feet. And it showed three white, startled faces, too. A deep peal of thunder went rolling and tumbling down the heavens and lost itself in sullen rumblings in the distance. A sweep of chilly air passed by, rustling all the leaves and snowing the flaky ashes broadcast about the fire. Another fierce glare lit up the forest and an instant crash followed that seemed to rend
-169-the tree-tops right over the boys' heads. They clung together in terror, in the thick gloom that followed. A few big rain-drops fell pattering upon the leaves.
"Quick! boys, go for the tent!" exclaimed Tom. They sprang away, stumbling over roots and among vines in the dark, no two plunging in the same direction. A furious blast roared through the trees, making everything sing as it went. One blinding flash after another came, and peal on peal of deafening thunder. And now a drenching rain poured down and the rising hurricane drove it in sheets along the ground.
oil painting for sale
by another came, a little stronger. Then another. Then a faint moan came sighing through the branches of the forest and the boys felt a fleeting breath upon their cheeks, and shuddered with the fancy that the Spirit of the Night had gone by. There was a pause. Now a weird flash turned night into day and showed every little grass-blade, separate and distinct, that grew about their feet. And it showed three white, startled faces, too. A deep peal of thunder went rolling and tumbling down the heavens and lost itself in sullen rumblings in the distance. A sweep of chilly air passed by, rustling all the leaves and snowing the flaky ashes broadcast about the fire. Another fierce glare lit up the forest and an instant crash followed that seemed to rend
-169-the tree-tops right over the boys' heads. They clung together in terror, in the thick gloom that followed. A few big rain-drops fell pattering upon the leaves.
"Quick! boys, go for the tent!" exclaimed Tom. They sprang away, stumbling over roots and among vines in the dark, no two plunging in the same direction. A furious blast roared through the trees, making everything sing as it went. One blinding flash after another came, and peal on peal of deafening thunder. And now a drenching rain poured down and the rising hurricane drove it in sheets along the ground.
Jehan Georges Vibert paintings
Jehan Georges Vibert paintings
Juarez Machado paintings
Joan Miro paintings
Jean-Honore Fragonard paintings
escaped, unawares. By and by Joe timidly ventured upon a roundabout "feeler" as to how the others might look upon a return to civilization -- not right now, but --
Tom withered him with derision! Huck, being uncommitted as yet, joined in with Tom, and the waverer quickly "explained," and was glad to get out of the scrape with as little taint of chicken-hearted home-sickness clinging to his garments as he could. Mutiny was effectually laid to rest for the moment.
As the night deepened, Huck began to nod, and presently to snore. Joe followed next. Tom lay upon his elbow motionless, for some time, watching the two intently. At last he got up cautiously, on his knees, and went searching among the grass and the flickering reflections flung by the camp-fire. He picked up and inspected several large semi-cylinders
-152-of the thin white bark of a sycamore, and finally chose two which seemed to suit him. Then he knelt by the fire and painfully wrote something upon each of these with his "red keel"; one
Juarez Machado paintings
Joan Miro paintings
Jean-Honore Fragonard paintings
escaped, unawares. By and by Joe timidly ventured upon a roundabout "feeler" as to how the others might look upon a return to civilization -- not right now, but --
Tom withered him with derision! Huck, being uncommitted as yet, joined in with Tom, and the waverer quickly "explained," and was glad to get out of the scrape with as little taint of chicken-hearted home-sickness clinging to his garments as he could. Mutiny was effectually laid to rest for the moment.
As the night deepened, Huck began to nod, and presently to snore. Joe followed next. Tom lay upon his elbow motionless, for some time, watching the two intently. At last he got up cautiously, on his knees, and went searching among the grass and the flickering reflections flung by the camp-fire. He picked up and inspected several large semi-cylinders
-152-of the thin white bark of a sycamore, and finally chose two which seemed to suit him. Then he knelt by the fire and painfully wrote something upon each of these with his "red keel"; one
Thursday, May 29, 2008
oil painting from picture
oil painting from picture
She blushed with pleasure, but somehow the compliment did not satisfy her like the blunt praises he used to give her at home, when he promenaded round her on festival occasions, and told her she was `altogether jolly', with a hearty smile and an approving pat on the head. She didn't like the new tone, for though not blase, it sounded indifferent in spite of the look.
"If that's the way he's going to grow up, I wish he's stay a boy," she thought, with a curious sense of disappointment and discomfort, trying meantime to seem quite easy and gay.
At Avigdor's she found the precious home letters and, giving the reins to Laurie, read them luxuriously as they wound up the shady road between green hedges, where tea roses bloomed as freshly as in June.
"Beth is very poorly, Mother says. I often think I ought to go home, but they all say `stay'. So I do, for I shall never have another chance like this," said Amy, looking sober over one page.
"I think you are right, there. You could do nothing at home, and it is a great comfort to them to know that you are well and happy, and enjoying so much, my dear."
She blushed with pleasure, but somehow the compliment did not satisfy her like the blunt praises he used to give her at home, when he promenaded round her on festival occasions, and told her she was `altogether jolly', with a hearty smile and an approving pat on the head. She didn't like the new tone, for though not blase, it sounded indifferent in spite of the look.
"If that's the way he's going to grow up, I wish he's stay a boy," she thought, with a curious sense of disappointment and discomfort, trying meantime to seem quite easy and gay.
At Avigdor's she found the precious home letters and, giving the reins to Laurie, read them luxuriously as they wound up the shady road between green hedges, where tea roses bloomed as freshly as in June.
"Beth is very poorly, Mother says. I often think I ought to go home, but they all say `stay'. So I do, for I shall never have another chance like this," said Amy, looking sober over one page.
"I think you are right, there. You could do nothing at home, and it is a great comfort to them to know that you are well and happy, and enjoying so much, my dear."
Gustave Courbet paintings
Gustave Courbet paintings
Guido Reni paintings
George Inness paintings
George Frederick Watts paintings
Being an energetic individual, Mr. Laurence struck while the iron was hot, and before the blighted being recovered spirit enough to rebel, they were off. During the time necessary for preparation, Laurie bore himself as young gentleman usually do in such cases. He was moody, irritable, and pensive by turns, lost his appetite, neglected his dress and devoted much time to playing tempestuously on his piano, avoided Jo, but consoled himself by staring at her from his window, with a tragic face that haunted her dreams by night and oppressed her with a heavy sense of guilt by day. Unlike some sufferers, he never spoke of his unrequited passion, and would allow no one, not even Mrs. March, to attempt consolation or offer sympathy. On some accounts, this was a relief to his friends, but the weeks before his departure were very uncomfortable, and everyone rejoiced that the `poor, dear fellow was going away to forget his trouble, and come home happy'. Of course, he smiled darkly at their delusion, but passed it by with the sad superiority of one who knew that his fidelity like his love was unalterable.
Guido Reni paintings
George Inness paintings
George Frederick Watts paintings
Being an energetic individual, Mr. Laurence struck while the iron was hot, and before the blighted being recovered spirit enough to rebel, they were off. During the time necessary for preparation, Laurie bore himself as young gentleman usually do in such cases. He was moody, irritable, and pensive by turns, lost his appetite, neglected his dress and devoted much time to playing tempestuously on his piano, avoided Jo, but consoled himself by staring at her from his window, with a tragic face that haunted her dreams by night and oppressed her with a heavy sense of guilt by day. Unlike some sufferers, he never spoke of his unrequited passion, and would allow no one, not even Mrs. March, to attempt consolation or offer sympathy. On some accounts, this was a relief to his friends, but the weeks before his departure were very uncomfortable, and everyone rejoiced that the `poor, dear fellow was going away to forget his trouble, and come home happy'. Of course, he smiled darkly at their delusion, but passed it by with the sad superiority of one who knew that his fidelity like his love was unalterable.
Cole River in the Catskills painting
Cole River in the Catskills painting
Cole Roman Campagna painting
Cole The Hunter's Return painting
Cole Indian at Sunset painting
"That will do him good, and he'll come home in such a tender, penitent state of mind, that I shan't dare to see him." she said, adding, as she went slowly home, feeling as if she had murdered some innocent thing, and buried it under the leaves. "Now I must go and prepare Mr. Laurence to be very kind to my poor boy. I wish he'd love Beth, perhaps he may in time, but I begin to think I was mistaken about her. Oh dear! How can girls like to have lovers and refuse them? I think it's dreadful."
Being sure that no one could do it so well as herself, she went straight to Mr. Laurence, told the hard story bravely through, and then broke down, crying so dismally over her own insensibility that the kind old gentleman, though sorely disappointed, did not utter a reproach. He found it difficult to understand how any girl could help loving Laurie, and hoped she would change her mind, but he knew even better than Jo that love cannot be forced, so he shook his head sadly and resolved to carry his boy out of harm's way, for Young Impetuosity's parting words to Jo disturbed him more than he would confess.
Cole Roman Campagna painting
Cole The Hunter's Return painting
Cole Indian at Sunset painting
"That will do him good, and he'll come home in such a tender, penitent state of mind, that I shan't dare to see him." she said, adding, as she went slowly home, feeling as if she had murdered some innocent thing, and buried it under the leaves. "Now I must go and prepare Mr. Laurence to be very kind to my poor boy. I wish he'd love Beth, perhaps he may in time, but I begin to think I was mistaken about her. Oh dear! How can girls like to have lovers and refuse them? I think it's dreadful."
Being sure that no one could do it so well as herself, she went straight to Mr. Laurence, told the hard story bravely through, and then broke down, crying so dismally over her own insensibility that the kind old gentleman, though sorely disappointed, did not utter a reproach. He found it difficult to understand how any girl could help loving Laurie, and hoped she would change her mind, but he knew even better than Jo that love cannot be forced, so he shook his head sadly and resolved to carry his boy out of harm's way, for Young Impetuosity's parting words to Jo disturbed him more than he would confess.
Robinson Road by the Mill painting
Robinson Road by the Mill painting
Robinson La Debacle painting
Dupre Le Dejeuner de Faneuse painting
Robinson House with Scaffolding painting
They are trash, and will soon be worse trash if I go on, for each is more sensational than the last. I've gone blindly on, hurting myself and other people, for the sake of money. I know it's so, for I can't read this stuff in sober earnest without being horribly ashamed of it, and what should I do if they were seen at home or Mr. Bhaer got hold of them?"
Jo turned hot at the bare idea, and stuffed the whole bundle into her stove, nearly setting the chimney afire with the blaze.
"Yes, that's the best place for such inflammable nonsense. I'd better burn the house down, I suppose, than let other people blow themselves up with my gunpowder," she thought as she watched the Demon of the Jura whisk away, a little black cinder with fiery eyes.
But when nothing remained of all her three month's work except a heap of ashes and the money in her lap, Jo looked sober, as she sat on the floor, wondering what she ought to do about her wages.
Robinson La Debacle painting
Dupre Le Dejeuner de Faneuse painting
Robinson House with Scaffolding painting
They are trash, and will soon be worse trash if I go on, for each is more sensational than the last. I've gone blindly on, hurting myself and other people, for the sake of money. I know it's so, for I can't read this stuff in sober earnest without being horribly ashamed of it, and what should I do if they were seen at home or Mr. Bhaer got hold of them?"
Jo turned hot at the bare idea, and stuffed the whole bundle into her stove, nearly setting the chimney afire with the blaze.
"Yes, that's the best place for such inflammable nonsense. I'd better burn the house down, I suppose, than let other people blow themselves up with my gunpowder," she thought as she watched the Demon of the Jura whisk away, a little black cinder with fiery eyes.
But when nothing remained of all her three month's work except a heap of ashes and the money in her lap, Jo looked sober, as she sat on the floor, wondering what she ought to do about her wages.
Pissarro The Railway Bridge at Pontoise painting
Pissarro The Railway Bridge at Pontoise painting
Pissarro Orchard in Bloom at Louveciennes painting
Robinson The E. M. J. Betty painting
Pissarro Gelee Blanche painting
away, but she was fascinated just then by the freedom of Speculative Philosophy, and kept her seat, trying to find out what the wise gentlemen intended to rely upon after they had annihilated all the old beliefs.
Now, Mr. Bhaer was a diffident man and slow to offer his own opinions, not because they were unsettled, but too sincere and earnest to be lightly spoken. As he glanced from Jo to several other young people, attracted by the brilliancy of the philosophic pyrotechnics, he knit his brows and longed to speak, fearing that some inflammable young soul would be led astray by the rockets, to find when the display was over that they had only an empty stick or a scorched hand.
He bore it as long as he could, but when he was appealed to for an opinion, he blazed up with honest indignation and defended religion with all the eloquence of truth -- an eloquence
Pissarro Orchard in Bloom at Louveciennes painting
Robinson The E. M. J. Betty painting
Pissarro Gelee Blanche painting
away, but she was fascinated just then by the freedom of Speculative Philosophy, and kept her seat, trying to find out what the wise gentlemen intended to rely upon after they had annihilated all the old beliefs.
Now, Mr. Bhaer was a diffident man and slow to offer his own opinions, not because they were unsettled, but too sincere and earnest to be lightly spoken. As he glanced from Jo to several other young people, attracted by the brilliancy of the philosophic pyrotechnics, he knit his brows and longed to speak, fearing that some inflammable young soul would be led astray by the rockets, to find when the display was over that they had only an empty stick or a scorched hand.
He bore it as long as he could, but when he was appealed to for an opinion, he blazed up with honest indignation and defended religion with all the eloquence of truth -- an eloquence
Stephen Gjertson paintings
Stephen Gjertson paintings
Sir Henry Raeburn paintings
Thomas Cole paintings
Theodore Robinson paintings
"Yes, I should think so," and Laurie thought regretfully of his own idle days.
"Mother likes to have us out-of-doors as much as possible, so we bring our work here and have nice times. For the fun of it we bring our things in these bags, wear the old hats, use poles to climb the hill, and play pilgrims, as we used to do years ago. We call this hill the Delectable Mountain, for we can look far away and see the country where we hope to live some time."
Jo pointed, and Laurie sat up to examine, for through an opening in the wood one could look cross the wide, blue river, the meadows on the other side, far over the outskirts of the great city, to the green hills that rose to meet the sky. The sun was low, and the heavens glowed with the splendor of an autumn sunset. Gold and purple clouds lay on the hilltops, and rising high into the ruddy light were silvery white peaks that shone like the airy spires of some Celestial City.
Sir Henry Raeburn paintings
Thomas Cole paintings
Theodore Robinson paintings
"Yes, I should think so," and Laurie thought regretfully of his own idle days.
"Mother likes to have us out-of-doors as much as possible, so we bring our work here and have nice times. For the fun of it we bring our things in these bags, wear the old hats, use poles to climb the hill, and play pilgrims, as we used to do years ago. We call this hill the Delectable Mountain, for we can look far away and see the country where we hope to live some time."
Jo pointed, and Laurie sat up to examine, for through an opening in the wood one could look cross the wide, blue river, the meadows on the other side, far over the outskirts of the great city, to the green hills that rose to meet the sky. The sun was low, and the heavens glowed with the splendor of an autumn sunset. Gold and purple clouds lay on the hilltops, and rising high into the ruddy light were silvery white peaks that shone like the airy spires of some Celestial City.
Wednesday, May 28, 2008
Ivan Constantinovich Aivazovsky paintings
Ivan Constantinovich Aivazovsky paintings
Il'ya Repin paintings
Igor V.Babailov paintings
Juarez Machado paintings
Meg obediently following the long grass-blade which her new tutor used to point with, read slowly and timidly, unconsciously making poetry of the hard words by the soft intonation of her musical voice. Down the page went the green guide, and presently, forgetting her listener in the beauty of the sad scene, Meg read as if alone, giving a little touch of tragedy to the words of the unhappy queen. If she had seen the brown eyes then, she would have stopped short, but she never looked up, and the lesson was not spoiled for her.
"Very well indeed!" said Mr. Brooke, as she paused, quite ignoring her many mistakes, and looking as if he did indeed love to teach.
Miss Kate put up her glass, and, having taken a survey of the little tableau before her, shut her sketch book, saying with condescension, "You've a nice accent and in time will be a clever reader. I advise you to learn, for German is a valuable accomplishment to teachers. I must look after Grace, she is romping." And Miss Kate strolled away, adding to herself with a shrug, "I didn't come to chaperone a governess, though she is young and pretty. What odd people these Yankees are. I'm afraid Laurie will be quite spoiled among them."
Il'ya Repin paintings
Igor V.Babailov paintings
Juarez Machado paintings
Meg obediently following the long grass-blade which her new tutor used to point with, read slowly and timidly, unconsciously making poetry of the hard words by the soft intonation of her musical voice. Down the page went the green guide, and presently, forgetting her listener in the beauty of the sad scene, Meg read as if alone, giving a little touch of tragedy to the words of the unhappy queen. If she had seen the brown eyes then, she would have stopped short, but she never looked up, and the lesson was not spoiled for her.
"Very well indeed!" said Mr. Brooke, as she paused, quite ignoring her many mistakes, and looking as if he did indeed love to teach.
Miss Kate put up her glass, and, having taken a survey of the little tableau before her, shut her sketch book, saying with condescension, "You've a nice accent and in time will be a clever reader. I advise you to learn, for German is a valuable accomplishment to teachers. I must look after Grace, she is romping." And Miss Kate strolled away, adding to herself with a shrug, "I didn't come to chaperone a governess, though she is young and pretty. What odd people these Yankees are. I'm afraid Laurie will be quite spoiled among them."
Bartolome Esteban Murillo paintings
Bartolome Esteban Murillo paintings
Berthe Morisot paintings
Cheri Blum paintings
Camille Pissarro paintings
his lessons to this pet of the king's, the knight rode him through the city, and as he rode, he looked everywhere for a certain beautiful face, which he had seen many times in his dreams, but never found. One day, as he went prancing down a quiet street, he saw at the window of a ruinous castle the lovely face. He was delighted, inquired who lived in this old castle, and was told that several captive princesses were kept there by a spell, and spun all day to lay up money to buy their liberty. The knight wished intensely that he could free them, but he was poor and could only go by each day, watching for the sweet face and longing to see it out in the sunshine. At last he resolved to get into the castle and ask how he could help them. He went and knocked. The great door flew open, and he beheld . . ."
"A ravishingly lovely lady, who exclaimed, with a cry of rapture, `At last! At last!'" continued Kate, who had read French novels, and admired the style. "`Tis she!' cried Count Gustave, and fell at her feet in an ecstasy of joy. `Oh, rise!' she said, extending a hand of marble fairness. `Never! Till you tell me how I may rescue you,' swore the knight, still kneelin
Berthe Morisot paintings
Cheri Blum paintings
Camille Pissarro paintings
his lessons to this pet of the king's, the knight rode him through the city, and as he rode, he looked everywhere for a certain beautiful face, which he had seen many times in his dreams, but never found. One day, as he went prancing down a quiet street, he saw at the window of a ruinous castle the lovely face. He was delighted, inquired who lived in this old castle, and was told that several captive princesses were kept there by a spell, and spun all day to lay up money to buy their liberty. The knight wished intensely that he could free them, but he was poor and could only go by each day, watching for the sweet face and longing to see it out in the sunshine. At last he resolved to get into the castle and ask how he could help them. He went and knocked. The great door flew open, and he beheld . . ."
"A ravishingly lovely lady, who exclaimed, with a cry of rapture, `At last! At last!'" continued Kate, who had read French novels, and admired the style. "`Tis she!' cried Count Gustave, and fell at her feet in an ecstasy of joy. `Oh, rise!' she said, extending a hand of marble fairness. `Never! Till you tell me how I may rescue you,' swore the knight, still kneelin
canvas painting
canvas painting
Only that there are four of them. Kate is older than you, Fred and Frank (twins) about my age, and a little girl (Grace), who is nine or ten. Laurie knew them abroad, and liked the boys. I fancied, from the way he primmed up his mouth in speaking of her, that he didn't admire Kate much."
"I'm so glad my French print is clean, it's just the thing and so becoming!" observed Meg complacently. "Have you anything decent, Jo?"
"Scarlet and gray boating suit, good enough for me. I shall row and tramp about, so I don't want any starch to think of. You'll come, Betty?"
"If you won't let any boys talk to me."
"Not a boy!"
"I like to please Laurie, and I'm not afraid of Mr. Brooke, he is so kind. But I don't want to play, or sing, or say anything. I'll work hard and not trouble anyone, and you'll take care of me, Jo, so I'll go."
"That's my good girl. You do try to fight off your shyness, and I love you for it. Fighting faults
Only that there are four of them. Kate is older than you, Fred and Frank (twins) about my age, and a little girl (Grace), who is nine or ten. Laurie knew them abroad, and liked the boys. I fancied, from the way he primmed up his mouth in speaking of her, that he didn't admire Kate much."
"I'm so glad my French print is clean, it's just the thing and so becoming!" observed Meg complacently. "Have you anything decent, Jo?"
"Scarlet and gray boating suit, good enough for me. I shall row and tramp about, so I don't want any starch to think of. You'll come, Betty?"
"If you won't let any boys talk to me."
"Not a boy!"
"I like to please Laurie, and I'm not afraid of Mr. Brooke, he is so kind. But I don't want to play, or sing, or say anything. I'll work hard and not trouble anyone, and you'll take care of me, Jo, so I'll go."
"That's my good girl. You do try to fight off your shyness, and I love you for it. Fighting faults
John William Godward Painting
John William Godward Painting
We are very busy these days,and try to provide some useful blogs here.Hopefully they are great helpful for you.
John William Godward Painting
George Frederick Watts Painting
Peter Paul Rubens Painting
Louis Aston Knight Paintings
Lord Frederick Leighton painting
Edmund Blair Leighton
James Jacques Joseph Tissot Painting
Arthur Hughes Painting
John William Waterhouse Painting
Frank Dicksee painting
Pierre Auguste Renoir Painting
John Singleton Copley Painting
Thomas Cole Painting
Benjamin Williams Leader Painting
Jean-Leon Gerome Paintings
Jacques-Louis David Painting
Montague Dawson Painting
Edmund Blair Leighton painting
Ivan Constantinovich Aivazovsky painting
Carl Fredrik Aagard Painting
Frank Dicksee Painting
Julien Dupre Paintings
John Singer Sargent Paintings
Alfred Gockel Paintings
Alexandre Cabanel Paintings
Joan Miro Paintings
Howard Behrens Paintings
Henri Fantin-Latour Paintings
Juarez Machado Paintings
Diane Romanello Paintings
Albert Bierstadt Paintings
Diego Rivera Paintings
Francois Boucher Paintings
Jose Royo paintings study
Dante Gabriel Rossetti Paintings
Steve Hanks Paintings
Fabian Perez Paintings Study
Daniel Ridgway Knight Paintings
Pierre Auguste Renoir Painting study
Don Li-Leger Painting
Maxfield Parrish Paintings
Cheri Blum Paintings
Charles Chaplin Paintings
Berthe Morisot Paintings
Rudolf Ernst Paintings
Guillaume Seignac Paintings
We are very busy these days,and try to provide some useful blogs here.Hopefully they are great helpful for you.
John William Godward Painting
George Frederick Watts Painting
Peter Paul Rubens Painting
Louis Aston Knight Paintings
Lord Frederick Leighton painting
Edmund Blair Leighton
James Jacques Joseph Tissot Painting
Arthur Hughes Painting
John William Waterhouse Painting
Frank Dicksee painting
Pierre Auguste Renoir Painting
John Singleton Copley Painting
Thomas Cole Painting
Benjamin Williams Leader Painting
Jean-Leon Gerome Paintings
Jacques-Louis David Painting
Montague Dawson Painting
Edmund Blair Leighton painting
Ivan Constantinovich Aivazovsky painting
Carl Fredrik Aagard Painting
Frank Dicksee Painting
Julien Dupre Paintings
John Singer Sargent Paintings
Alfred Gockel Paintings
Alexandre Cabanel Paintings
Joan Miro Paintings
Howard Behrens Paintings
Henri Fantin-Latour Paintings
Juarez Machado Paintings
Diane Romanello Paintings
Albert Bierstadt Paintings
Diego Rivera Paintings
Francois Boucher Paintings
Jose Royo paintings study
Dante Gabriel Rossetti Paintings
Steve Hanks Paintings
Fabian Perez Paintings Study
Daniel Ridgway Knight Paintings
Pierre Auguste Renoir Painting study
Don Li-Leger Painting
Maxfield Parrish Paintings
Cheri Blum Paintings
Charles Chaplin Paintings
Berthe Morisot Paintings
Rudolf Ernst Paintings
Guillaume Seignac Paintings
Tuesday, May 27, 2008
Fabian Perez paintings
Fabian Perez paintings
Francois Boucher paintings
Frank Dicksee paintings
"O papa, if you only knew all that grandfather has done for me from day to day! I cannot reckon his kindnesses, but I shall never forget them as long as I live! And I keep on thinking what I could do for him, or what present I could make him that would give him half as much pleasure as he has given me."
"That is just what I wish most myself, Clara," replied her father, whose face grew happier each time he looked at his little daughter. "I have been also thinking how we can best show our gratitude to our good benefactor."
Herr Sesemann now went over to where Uncle and grandmamma were engaged in lively conversation. Uncle stood up as he approached, and Herr Sesemann, taking him by the hand said, --
"Dear friend, let us exchange a few words with one another. You will believe me when I tell you that I have known no real happiness for years past. What worth to me were money and
Francois Boucher paintings
Frank Dicksee paintings
"O papa, if you only knew all that grandfather has done for me from day to day! I cannot reckon his kindnesses, but I shall never forget them as long as I live! And I keep on thinking what I could do for him, or what present I could make him that would give him half as much pleasure as he has given me."
"That is just what I wish most myself, Clara," replied her father, whose face grew happier each time he looked at his little daughter. "I have been also thinking how we can best show our gratitude to our good benefactor."
Herr Sesemann now went over to where Uncle and grandmamma were engaged in lively conversation. Uncle stood up as he approached, and Herr Sesemann, taking him by the hand said, --
"Dear friend, let us exchange a few words with one another. You will believe me when I tell you that I have known no real happiness for years past. What worth to me were money and
Vittore Carpaccio paintings
Vittore Carpaccio paintings
Warren Kimble paintings
Wassily Kandinsky paintings
William Etty paintings
Herr Sesemann found he was right, for the climb up the mountain, as it was, proved long and fatiguing to him. He went on and on, but still no hut came in sight, and yet he knew there was one where Peter lived half way up, for the path had been described to him over and over again.
There were traces of climbers to be seen on all sides; the narrow footpaths seemed to run in every direction, and Herr Sesemann began to wonder if he was on the right one, and whether the hut lay perhaps
-333-on the other side of the mountain. He looked round to see if any one was in sight of whom he could ask the way; but far and wide there was not a soul to be seen or a sound to be heard. Only at moments the mountain wind whistled through the air, and the insects hummed in the sunshine or a happy bird sang out from the branches of a solitary larch tree. Herr Sesemann
Warren Kimble paintings
Wassily Kandinsky paintings
William Etty paintings
Herr Sesemann found he was right, for the climb up the mountain, as it was, proved long and fatiguing to him. He went on and on, but still no hut came in sight, and yet he knew there was one where Peter lived half way up, for the path had been described to him over and over again.
There were traces of climbers to be seen on all sides; the narrow footpaths seemed to run in every direction, and Herr Sesemann began to wonder if he was on the right one, and whether the hut lay perhaps
-333-on the other side of the mountain. He looked round to see if any one was in sight of whom he could ask the way; but far and wide there was not a soul to be seen or a sound to be heard. Only at moments the mountain wind whistled through the air, and the insects hummed in the sunshine or a happy bird sang out from the branches of a solitary larch tree. Herr Sesemann
Ivan Constantinovich Aivazovsky paintings
Ivan Constantinovich Aivazovsky paintings
Il'ya Repin paintings
Igor V.Babailov paintings
Juarez Machado paintings
thought he was looking at the brass-headed nails that studded it all round, but it was only the bright yellow flowers beside him. He experienced again a dreadful fear of mind that he had lost in this dream of the uninjured chair. Even though Heidi had promised not to do anything, there still remained the lively dread that his deed might be found out in some other way. He allowed Heidi to do what she liked with him, for he was reduced to such a state of low spirits and meekness that he was ready to give his help to Clara without murmur or resistance.
When all three had got back to their old quarters Heidi ran and brought forward the bag, and proceeded to fulfil her promise, for her threat of the morning had been concerned with Peter's dinner. She had seen her grandfather putting in all sorts of good things, and had been pleased to think of Peter having a large share of them, and she had meant him to understand when he refused at first to help her that he would get nothing for his dinner, but Peter's conscience had put another interpretation upon her words. Heidi took the food out of the bag and divided it into three portions, and each was of such a goodly size that she thought to herself, "There will be plenty of ours left for him to have more still."
She gave the other two their dinners and sat down
Il'ya Repin paintings
Igor V.Babailov paintings
Juarez Machado paintings
thought he was looking at the brass-headed nails that studded it all round, but it was only the bright yellow flowers beside him. He experienced again a dreadful fear of mind that he had lost in this dream of the uninjured chair. Even though Heidi had promised not to do anything, there still remained the lively dread that his deed might be found out in some other way. He allowed Heidi to do what she liked with him, for he was reduced to such a state of low spirits and meekness that he was ready to give his help to Clara without murmur or resistance.
When all three had got back to their old quarters Heidi ran and brought forward the bag, and proceeded to fulfil her promise, for her threat of the morning had been concerned with Peter's dinner. She had seen her grandfather putting in all sorts of good things, and had been pleased to think of Peter having a large share of them, and she had meant him to understand when he refused at first to help her that he would get nothing for his dinner, but Peter's conscience had put another interpretation upon her words. Heidi took the food out of the bag and divided it into three portions, and each was of such a goodly size that she thought to herself, "There will be plenty of ours left for him to have more still."
She gave the other two their dinners and sat down
Sir Henry Raeburn paintings
Sir Henry Raeburn paintings
Thomas Cole paintings
Theodore Robinson paintings
Titian paintings
such a friendly reception. At last he collected himself and said, "I have come to ask you, pastor, to forget the words I spoke to you when you called on me, and to beg you not to owe me ill-will for having been so obstinately set against your well-meant advice. You were right, and I was wrong, but I have now made up my mind to follow your advice and to find a place for myself at Dörfli for the winter, for the child is not strong enough to stand the bitter cold up on the mountain. And if the people down here look askance at me, as at a person not to be trusted, I know it is my own fault, and you will, I am sure, not do so."
The pastor's kindly eyes shone with pleasure. He pressed the old man's hand in his, and said with emotion, "Neighbor, you went into the right church before you came to mine; I am greatly rejoiced. You will not repent coming to live with us again; as for myself you will always be welcome as a dear friend and neighbor, and I look forward to our spending many a pleasant winter evening together, for I shall prize your companionship, and we will find some, nice friends too for the little one." And the pastor laid his hand kindly on the child's curly head and took her by the hand as he walked to the door with the old man. He did not say good-bye to him till they were standing outside, so that all the people standing about saw him shake hands as if parting reluctantly from his best friend. The door had hardly shut behind him before the whole congregation now came
Thomas Cole paintings
Theodore Robinson paintings
Titian paintings
such a friendly reception. At last he collected himself and said, "I have come to ask you, pastor, to forget the words I spoke to you when you called on me, and to beg you not to owe me ill-will for having been so obstinately set against your well-meant advice. You were right, and I was wrong, but I have now made up my mind to follow your advice and to find a place for myself at Dörfli for the winter, for the child is not strong enough to stand the bitter cold up on the mountain. And if the people down here look askance at me, as at a person not to be trusted, I know it is my own fault, and you will, I am sure, not do so."
The pastor's kindly eyes shone with pleasure. He pressed the old man's hand in his, and said with emotion, "Neighbor, you went into the right church before you came to mine; I am greatly rejoiced. You will not repent coming to live with us again; as for myself you will always be welcome as a dear friend and neighbor, and I look forward to our spending many a pleasant winter evening together, for I shall prize your companionship, and we will find some, nice friends too for the little one." And the pastor laid his hand kindly on the child's curly head and took her by the hand as he walked to the door with the old man. He did not say good-bye to him till they were standing outside, so that all the people standing about saw him shake hands as if parting reluctantly from his best friend. The door had hardly shut behind him before the whole congregation now came
Monday, May 26, 2008
Guido Reni paintings
Guido Reni paintings
George Inness paintings
George Frederick Watts paintings
Guercino paintings
was with a happy heart that Heidi lay down in it that night, and her sleep was sounder than it had been for a whole year past. The grandfather got up at least ten times during the night and mounted the ladder to see if Heidi was all right and showing no signs of restlessness, and to feel that the hay he had stuffed into the round window was keeping the moon from shining too brightly upon her. But Heidi did not stir; she had no need now to wander about, for the great burning longing of her heart was satisfied; she had seen the high mountains and rocks alight in the evening glow, she had heard the wind in the fir trees, she was at home again on the mountain. HEIDI was standing under the waving fir trees waiting for her grandfather, who was going down with her to grandmother's, and then on to Dörfli to fetch her box. She was longing to know how grandmother had enjoyed her white bread and impatient to see and hear her again; but no time seemed weary to her now, for she could not listen long enough to the familiar voice of the trees, or drink in too much of the fragrance wafted to her from the green pastures where the golden-headed flowers were glowing in the sun, a very feast to her eyes. The grandfather came out, gave a look round, and then called to her in a cheerful voice, "Well, now we can be off."
George Inness paintings
George Frederick Watts paintings
Guercino paintings
was with a happy heart that Heidi lay down in it that night, and her sleep was sounder than it had been for a whole year past. The grandfather got up at least ten times during the night and mounted the ladder to see if Heidi was all right and showing no signs of restlessness, and to feel that the hay he had stuffed into the round window was keeping the moon from shining too brightly upon her. But Heidi did not stir; she had no need now to wander about, for the great burning longing of her heart was satisfied; she had seen the high mountains and rocks alight in the evening glow, she had heard the wind in the fir trees, she was at home again on the mountain. HEIDI was standing under the waving fir trees waiting for her grandfather, who was going down with her to grandmother's, and then on to Dörfli to fetch her box. She was longing to know how grandmother had enjoyed her white bread and impatient to see and hear her again; but no time seemed weary to her now, for she could not listen long enough to the familiar voice of the trees, or drink in too much of the fragrance wafted to her from the green pastures where the golden-headed flowers were glowing in the sun, a very feast to her eyes. The grandfather came out, gave a look round, and then called to her in a cheerful voice, "Well, now we can be off."
Caravaggio paintings
Caravaggio paintings
Claude Lorrain paintings
Claude Monet paintings
Charles Chaplin paintings
And Heidi took the rolls from the basket and piled the whole twelve up on grandmother's lap.
"Ah, child! child! what a blessing you bring with you!" the old woman exclaimed, as she felt and seemed never to come to the end of the rolls. "But you yourself are the greatest blessing, Heidi," and again she touched the child's hair and passed her hand over her hot cheeks, and said, "Say something, child, that I may hear your voice."
Then Heidi told her how unhappy she had been, thinking that the grandmother might die while she was away and would never have her white rolls, and that then she would never, never see her again.
Peter's mother now came in and stood for a moment overcome with astonishment. "Why, it's Heidi," she exclaimed, "and yet can it be?"
Heidi stood up, and Brigitta now could not say enough in her admiration of the child's dress and appearance; she walked round her, exclaiming all the while, "Grandmother, if you could only see her, and see what a pretty frock she has on; you would hardly know her again. And the hat with the feather in it is yours too, I suppose? Put it on that I may see how you look in it?"
Claude Lorrain paintings
Claude Monet paintings
Charles Chaplin paintings
And Heidi took the rolls from the basket and piled the whole twelve up on grandmother's lap.
"Ah, child! child! what a blessing you bring with you!" the old woman exclaimed, as she felt and seemed never to come to the end of the rolls. "But you yourself are the greatest blessing, Heidi," and again she touched the child's hair and passed her hand over her hot cheeks, and said, "Say something, child, that I may hear your voice."
Then Heidi told her how unhappy she had been, thinking that the grandmother might die while she was away and would never have her white rolls, and that then she would never, never see her again.
Peter's mother now came in and stood for a moment overcome with astonishment. "Why, it's Heidi," she exclaimed, "and yet can it be?"
Heidi stood up, and Brigitta now could not say enough in her admiration of the child's dress and appearance; she walked round her, exclaiming all the while, "Grandmother, if you could only see her, and see what a pretty frock she has on; you would hardly know her again. And the hat with the feather in it is yours too, I suppose? Put it on that I may see how you look in it?"
Pietro Perugino paintings
Pietro Perugino paintings
Peter Paul Rubens paintings
Rudolf Ernst paintings
Robert Campin paintings
If only I had not let that fool of a John drag me back into the room, and had gone after the little white figure, which I should do certainly if I saw it now!" he kept on saying to himself; but just now every corner of the room was clearly visible in the daylight.
Meanwhile Heidi was standing expectantly dressed in her Sunday frock waiting to see what would happen next, for Tinette had only woke her up with a shake and put on her clothes without a word of explanation. The little uneducated child was far too much beneath her for Tinette to speak to.
Herr Sesemann went back to the dining-room with the letter; breakfast was now ready, and he asked, "Where is the child?"
Heidi was fetched, and as she walked up to him to say "Good-morning," he looked inquiringly into her face and said, "Well, what do you say to this, little one?"
Heidi looked at him in perplexity.
"Why, you don't know anything about it, I see," laughed Herr Sesemann. "You are going home today, going at once."
"Home," murmured Heidi in a low voice, turning
-184-pale; she was so overcome that for a moment or two she could hardly breathe.
Peter Paul Rubens paintings
Rudolf Ernst paintings
Robert Campin paintings
If only I had not let that fool of a John drag me back into the room, and had gone after the little white figure, which I should do certainly if I saw it now!" he kept on saying to himself; but just now every corner of the room was clearly visible in the daylight.
Meanwhile Heidi was standing expectantly dressed in her Sunday frock waiting to see what would happen next, for Tinette had only woke her up with a shake and put on her clothes without a word of explanation. The little uneducated child was far too much beneath her for Tinette to speak to.
Herr Sesemann went back to the dining-room with the letter; breakfast was now ready, and he asked, "Where is the child?"
Heidi was fetched, and as she walked up to him to say "Good-morning," he looked inquiringly into her face and said, "Well, what do you say to this, little one?"
Heidi looked at him in perplexity.
"Why, you don't know anything about it, I see," laughed Herr Sesemann. "You are going home today, going at once."
"Home," murmured Heidi in a low voice, turning
-184-pale; she was so overcome that for a moment or two she could hardly breathe.
Sunday, May 25, 2008
Arthur Hughes paintings
Arthur Hughes paintings
Albert Bierstadt paintings
Andreas Achenbach paintings
Alphonse Maria Mucha paintings
"Carry us over the hill to the country of the Quadlings," answered the girl.
"It shall be done," said the King, and at once the Winged Monkeys caught the four travelers and Toto up in their arms and flew away with them. As they passed over the hill the Hammer-Heads yelled with vexation, and shot their heads high in the air, but they could not reach the Winged Monkeys, which carried Dorothy and her comrades safely over the hill and set them down in the beautiful country of the Quadlings.
"This is the last time you can summon us," said the leader to Dorothy; "so good-bye and good luck to you."
"Good-bye, and thank you very much," returned the girl; and the Monkeys rose into the air and were out of sight in a twinklingThe country of the Quadlings seemed rich and happy. There was field upon field of ripening grain, with well-paved roads running between, and pretty rippling brooks with strong bridges across them. The fences and houses and bridges were all painted bright red, just as they had been painted yellow in the country of the Winkies and blue in the country of the Munchkins. The Quadlings themselves, who were short and fat and looked chubby and good-natured, were dressed all in red, which showed bright against the green grass and the yellowing grain.
Albert Bierstadt paintings
Andreas Achenbach paintings
Alphonse Maria Mucha paintings
"Carry us over the hill to the country of the Quadlings," answered the girl.
"It shall be done," said the King, and at once the Winged Monkeys caught the four travelers and Toto up in their arms and flew away with them. As they passed over the hill the Hammer-Heads yelled with vexation, and shot their heads high in the air, but they could not reach the Winged Monkeys, which carried Dorothy and her comrades safely over the hill and set them down in the beautiful country of the Quadlings.
"This is the last time you can summon us," said the leader to Dorothy; "so good-bye and good luck to you."
"Good-bye, and thank you very much," returned the girl; and the Monkeys rose into the air and were out of sight in a twinklingThe country of the Quadlings seemed rich and happy. There was field upon field of ripening grain, with well-paved roads running between, and pretty rippling brooks with strong bridges across them. The fences and houses and bridges were all painted bright red, just as they had been painted yellow in the country of the Winkies and blue in the country of the Munchkins. The Quadlings themselves, who were short and fat and looked chubby and good-natured, were dressed all in red, which showed bright against the green grass and the yellowing grain.
Martin Johnson Heade paintings
Martin Johnson Heade paintings
Nancy O'Toole paintings
Philip Craig paintings
Paul McCormack paintings
Good-bye," replied the Princess.
They walked carefully through the china country. The little animals and all the people scampered out of their way, fearing the strangers would break them, and after an hour or so the travelers reached the other side of the country and came to another china wall.
It was not so high as the first, however, and by standing upon the Lion's back they all managed to scramble to the top. Then the Lion gathered his legs under him and jumped on the wall; but just as he jumped, he upset a china church with his tail and smashed it all to pieces.
"That was too bad," said Dorothy, "but really I think we were lucky in not doing these little people more harm than breaking a cow's leg and a church. They are all so brittle!"
"They are, indeed," said the Scarecrow, "and I am thankful I am made of straw and cannot be easily damaged. There are worse things in the world than being a Scarecrow."
Nancy O'Toole paintings
Philip Craig paintings
Paul McCormack paintings
Good-bye," replied the Princess.
They walked carefully through the china country. The little animals and all the people scampered out of their way, fearing the strangers would break them, and after an hour or so the travelers reached the other side of the country and came to another china wall.
It was not so high as the first, however, and by standing upon the Lion's back they all managed to scramble to the top. Then the Lion gathered his legs under him and jumped on the wall; but just as he jumped, he upset a china church with his tail and smashed it all to pieces.
"That was too bad," said Dorothy, "but really I think we were lucky in not doing these little people more harm than breaking a cow's leg and a church. They are all so brittle!"
"They are, indeed," said the Scarecrow, "and I am thankful I am made of straw and cannot be easily damaged. There are worse things in the world than being a Scarecrow."
Federico Andreotti paintings
Federico Andreotti paintings
Fra Angelico paintings
Frederic Edwin Church paintings
Frederic Remington paintings
Then Oz got into the basket and said to all the people in a loud voice:
"I am now going away to make a visit. While I am gone the Scarecrow will rule over you. I command you to obey him as you would me." The balloon was by this time tugging hard at the rope that held it to the ground, for the air within it was hot, and this made it so much lighter in weight than the air without that it pulled hard to rise into the sky.
"Come, Dorothy!" cried the Wizard. "Hurry up, or the balloon will fly away."
"I can't find Toto anywhere," replied Dorothy, who did not wish to leave her little dog behind. Toto had run into the crowd to bark at a kitten, and Dorothy at last found him. She picked him up and ran towards the balloon She was within a few steps of it, and Oz was holding out his hands to help her into the basket, when, crack! went the ropes, and the balloon rose into the air without her.
"Come back!" she screamed. "I want to go, too!"
"I can't come back, my dear," called Oz from the basket. "Good-bye!"
"Good-bye!" shouted everyone, and all eyes were turned upward to
Fra Angelico paintings
Frederic Edwin Church paintings
Frederic Remington paintings
Then Oz got into the basket and said to all the people in a loud voice:
"I am now going away to make a visit. While I am gone the Scarecrow will rule over you. I command you to obey him as you would me." The balloon was by this time tugging hard at the rope that held it to the ground, for the air within it was hot, and this made it so much lighter in weight than the air without that it pulled hard to rise into the sky.
"Come, Dorothy!" cried the Wizard. "Hurry up, or the balloon will fly away."
"I can't find Toto anywhere," replied Dorothy, who did not wish to leave her little dog behind. Toto had run into the crowd to bark at a kitten, and Dorothy at last found him. She picked him up and ran towards the balloon She was within a few steps of it, and Oz was holding out his hands to help her into the basket, when, crack! went the ropes, and the balloon rose into the air without her.
"Come back!" she screamed. "I want to go, too!"
"I can't come back, my dear," called Oz from the basket. "Good-bye!"
"Good-bye!" shouted everyone, and all eyes were turned upward to
Aubrey Beardsley paintings
Aubrey Beardsley paintings
Andrea del Sarto paintings
Alexandre Cabanel paintings
Anders Zorn paintings
That must be a matter of opinion," said the Tin Woodman. "For my part, I will bear all the unhappiness without a murmur, if you will give me the heart."
"Very well," answered Oz meekly. "Come to me tomorrow and you shall have a heart. I have played Wizard for so many years that I may as well continue the part a little longer."
"And now," said Dorothy, "how am I to get back to Kansas?"
"We shall have to think about that," replied the little man. "Give me two or three days to consider the matter and I'll try to find a way to carry you over the desert. In the meantime you shall all be treated as my guests, and while you live in the Palace my people will wait upon you and obey your slightest wish. There is only one thing I ask in return for my help -- such as it is. You must keep my secret and tell no one I am a humbug."
They agreed to say nothing of what they had learned, and went back to their rooms in high spirits. Even Dorothy had hope that "The Great and Terrible Humbug," as she called him, would find a way to send her back to Kansas, and if he did she was willing to forgive him everything.
Andrea del Sarto paintings
Alexandre Cabanel paintings
Anders Zorn paintings
That must be a matter of opinion," said the Tin Woodman. "For my part, I will bear all the unhappiness without a murmur, if you will give me the heart."
"Very well," answered Oz meekly. "Come to me tomorrow and you shall have a heart. I have played Wizard for so many years that I may as well continue the part a little longer."
"And now," said Dorothy, "how am I to get back to Kansas?"
"We shall have to think about that," replied the little man. "Give me two or three days to consider the matter and I'll try to find a way to carry you over the desert. In the meantime you shall all be treated as my guests, and while you live in the Palace my people will wait upon you and obey your slightest wish. There is only one thing I ask in return for my help -- such as it is. You must keep my secret and tell no one I am a humbug."
They agreed to say nothing of what they had learned, and went back to their rooms in high spirits. Even Dorothy had hope that "The Great and Terrible Humbug," as she called him, would find a way to send her back to Kansas, and if he did she was willing to forgive him everything.
Lady Laura Teresa Alma-Tadema paintings
Lady Laura Teresa Alma-Tadema paintings
Louise Abbema paintings
Leonardo da Vinci paintings
Lord Frederick Leighton paintings
"It was Dorothy," said the Lion gravely.
"Good gracious!" exclaimed the man, and he bowed very low indeed before her.
Then he led them into his little room and locked the spectacles from the great box on all their eyes, just as he had done before. Afterward they passed on through the gate into the Emerald City. When the people heard from the Guardian of the Gates that Dorothy had melted the Wicked Witch of the West, they all gathered around the travelers and followed them in a great crowd to the Palace of Oz.
The soldier with the green whiskers was still on guard before the door, but he let them in at once, and they were again met by the beautiful green girl, who showed each of them to their old rooms at once, so they might rest until the Great Oz was ready to receive them. The soldier had the news carried straight to Oz that Dorothy and the other travelers had come back again, after destroying the Wicked Witch; but Oz made no reply. They thought the Great Wizard would send for them at once, but he did not. They had no word from him the next day, nor the next, nor the next. The waiting was tiresome and wearing, and at last they grew vexed that
Louise Abbema paintings
Leonardo da Vinci paintings
Lord Frederick Leighton paintings
"It was Dorothy," said the Lion gravely.
"Good gracious!" exclaimed the man, and he bowed very low indeed before her.
Then he led them into his little room and locked the spectacles from the great box on all their eyes, just as he had done before. Afterward they passed on through the gate into the Emerald City. When the people heard from the Guardian of the Gates that Dorothy had melted the Wicked Witch of the West, they all gathered around the travelers and followed them in a great crowd to the Palace of Oz.
The soldier with the green whiskers was still on guard before the door, but he let them in at once, and they were again met by the beautiful green girl, who showed each of them to their old rooms at once, so they might rest until the Great Oz was ready to receive them. The soldier had the news carried straight to Oz that Dorothy and the other travelers had come back again, after destroying the Wicked Witch; but Oz made no reply. They thought the Great Wizard would send for them at once, but he did not. They had no word from him the next day, nor the next, nor the next. The waiting was tiresome and wearing, and at last they grew vexed that
Saturday, May 24, 2008
Edward Hopper paintings
Edward Hopper paintings
Edgar Degas paintings
Emile Munier paintings
Edwin Lord Weeks paintings
"Then we are all right," answered the Scarecrow, "for you can carry us all over on your back, one at a time."
"Well, I'll try it," said the Lion. "Who will go first?"
"I will," declared the Scarecrow, "for, if you found that you could not jump over the gulf, Dorothy would be killed, or the Tin Woodman badly dented on the rocks below. But if I am on your back it will not matter so much, for the fall would not hurt me at all."
"I am terribly afraid of falling, myself," said the Cowardly Lion, "but I suppose there is nothing to do but try it. So get on my back and we will make the attempt."
The Scarecrow sat upon the Lion's back, and the big beast walked to the edge of the gulf and crouched down.
"Why don't you run and jump?" asked the Scarecrow.
"Because that isn't the way we Lions do these things," he replied. Then giving a great spring, he shot through the air and landed safely on the other side. They were all greatly pleased to see how easily he did it, and after the Scarecrow had got down from his back the Lion sprang across the ditch again.
Edgar Degas paintings
Emile Munier paintings
Edwin Lord Weeks paintings
"Then we are all right," answered the Scarecrow, "for you can carry us all over on your back, one at a time."
"Well, I'll try it," said the Lion. "Who will go first?"
"I will," declared the Scarecrow, "for, if you found that you could not jump over the gulf, Dorothy would be killed, or the Tin Woodman badly dented on the rocks below. But if I am on your back it will not matter so much, for the fall would not hurt me at all."
"I am terribly afraid of falling, myself," said the Cowardly Lion, "but I suppose there is nothing to do but try it. So get on my back and we will make the attempt."
The Scarecrow sat upon the Lion's back, and the big beast walked to the edge of the gulf and crouched down.
"Why don't you run and jump?" asked the Scarecrow.
"Because that isn't the way we Lions do these things," he replied. Then giving a great spring, he shot through the air and landed safely on the other side. They were all greatly pleased to see how easily he did it, and after the Scarecrow had got down from his back the Lion sprang across the ditch again.
Friday, May 23, 2008
painting in oil
painting in oil
It was a lucky thought, a happy thought. That it was so considered by the great officials was manifested by the silent applause that shot from eye to eye around their circle in the form of bright approving glances. Yes, none but the true prince could dissolve the stubborn mystery of the vanished Great Seal-this forlorn little impostor had been taught his lesson well, but here his teachings must fail, for his teacher himself could not answer that question-ah, very good, very good indeed; now we shall be rid of this troublesome and perilous business in short order! And so they nodded invisibly and smiled inwardly with satisfaction, and looked to see this foolish lad stricken with a palsy of guilty confusion. How surprised they were, then, to see nothing of the sort happen-how they marveled to hear him answer up promptly, in a confident and untroubled voice, and say"There is naught in this riddle that is difficult." Then, without so much as a by-your-leave to anybody, he turned and gave this command, with the easy manner of one accustomed to doing such things: "My Lord St. John, go you to my private cabinet in the palace-for none knoweth the place better than you-and, close down to the floor, in the left corner remotest from the door that opens from the antechamber, you shall find in the wall a brazen nail-head; press upon it and a little jewel closet will fly open which not even you do know of-no, nor any soul else in all the world but me and the trusty artisan that did contrive it for me. The first thing that falleth under your eye will be the Great Seal-fetch it hither."
It was a lucky thought, a happy thought. That it was so considered by the great officials was manifested by the silent applause that shot from eye to eye around their circle in the form of bright approving glances. Yes, none but the true prince could dissolve the stubborn mystery of the vanished Great Seal-this forlorn little impostor had been taught his lesson well, but here his teachings must fail, for his teacher himself could not answer that question-ah, very good, very good indeed; now we shall be rid of this troublesome and perilous business in short order! And so they nodded invisibly and smiled inwardly with satisfaction, and looked to see this foolish lad stricken with a palsy of guilty confusion. How surprised they were, then, to see nothing of the sort happen-how they marveled to hear him answer up promptly, in a confident and untroubled voice, and say"There is naught in this riddle that is difficult." Then, without so much as a by-your-leave to anybody, he turned and gave this command, with the easy manner of one accustomed to doing such things: "My Lord St. John, go you to my private cabinet in the palace-for none knoweth the place better than you-and, close down to the floor, in the left corner remotest from the door that opens from the antechamber, you shall find in the wall a brazen nail-head; press upon it and a little jewel closet will fly open which not even you do know of-no, nor any soul else in all the world but me and the trusty artisan that did contrive it for me. The first thing that falleth under your eye will be the Great Seal-fetch it hither."
Wednesday, May 21, 2008
painting in oil
painting in oil
Homage and greeting, reverend sir! Where is the boy-my boy?"
"What boy, friend?"
"What boy! Lie me no lies, sir priest, play me no deceptions! I am not in the humor for it. Near to this place I caught the scoundrels who I judged did steal him from me, and I made them confess; they said he was at large again, and they had tracked him to your door. They showed me his very footprints. Now palter no more; for look you, holy sir, an thou produce him not-Where is the boy?"
"Oh, good sir, peradventure you mean the ragged regal vagrant that tarried here the night. If such as you take interest in such as he, know, then, that I have sent him of an errand. He will be back anon."
"How soon? How soon? Come, waste not the time-cannot I overtake him? How soon will he be back?"
"Thou needst not stir; he will return quickly."
"So be it then. I will try to wait. But stop!-you sent him of an errand?-you! Verily, this is a lie-he would not go. He would pull thy old beard, an thou didst offer him such an insolence. Thou hast lied, friend; thou hast surely lied! He would not go for thee nor for any man."
"For any man-no; haply not. But I am not a man."
"What! Now o' God's name what art thou, then?"
"It is a secret-mark thou reveal it not. I am an archangel!"
There was a tremendous ejaculation from Miles Hendon-not altogether unprofane-followed by:
Homage and greeting, reverend sir! Where is the boy-my boy?"
"What boy, friend?"
"What boy! Lie me no lies, sir priest, play me no deceptions! I am not in the humor for it. Near to this place I caught the scoundrels who I judged did steal him from me, and I made them confess; they said he was at large again, and they had tracked him to your door. They showed me his very footprints. Now palter no more; for look you, holy sir, an thou produce him not-Where is the boy?"
"Oh, good sir, peradventure you mean the ragged regal vagrant that tarried here the night. If such as you take interest in such as he, know, then, that I have sent him of an errand. He will be back anon."
"How soon? How soon? Come, waste not the time-cannot I overtake him? How soon will he be back?"
"Thou needst not stir; he will return quickly."
"So be it then. I will try to wait. But stop!-you sent him of an errand?-you! Verily, this is a lie-he would not go. He would pull thy old beard, an thou didst offer him such an insolence. Thou hast lied, friend; thou hast surely lied! He would not go for thee nor for any man."
"For any man-no; haply not. But I am not a man."
"What! Now o' God's name what art thou, then?"
"It is a secret-mark thou reveal it not. I am an archangel!"
There was a tremendous ejaculation from Miles Hendon-not altogether unprofane-followed by:
Cheri Blum paintings
Cheri Blum paintings
Camille Pissarro paintings
Carl Fredrik Aagard paintings
Caravaggio paintings
The king was not only delighted to find that the creature was only a calf, but delighted to have the calf's company; for he had been feeling so lonesome and friendless that the company and comradeship of even this humble animal was welcome. And he had been so buffeted, so rudely entreated by his own kind, that it was a real comfort to him to feel that he was at last in the society of a fellow-creature that had at least a soft heart and a gentle spirit, whatever loftier attributes might be lacking. So he resolved to waive rank and make friends with the calf
While stroking its sleek, warm back-for it lay near him and within easy reach-it occurred to him that this calf might be utilized in more ways than one. Whereupon he rearranged his bed, spreading it down close to the calf; then he cuddled himself up to the calf's back, drew the covers up over himself and his friend, and in a minute or two was as warm and comfortable as he had ever been in the downy couches of the regal palace of Westminster.
Pleasant thoughts came at once; life took on a cheerfuler seeming. He was free of the bonds of servitude and crime, free of the companionship of base and brutal outlaws; he was
Camille Pissarro paintings
Carl Fredrik Aagard paintings
Caravaggio paintings
The king was not only delighted to find that the creature was only a calf, but delighted to have the calf's company; for he had been feeling so lonesome and friendless that the company and comradeship of even this humble animal was welcome. And he had been so buffeted, so rudely entreated by his own kind, that it was a real comfort to him to feel that he was at last in the society of a fellow-creature that had at least a soft heart and a gentle spirit, whatever loftier attributes might be lacking. So he resolved to waive rank and make friends with the calf
While stroking its sleek, warm back-for it lay near him and within easy reach-it occurred to him that this calf might be utilized in more ways than one. Whereupon he rearranged his bed, spreading it down close to the calf; then he cuddled himself up to the calf's back, drew the covers up over himself and his friend, and in a minute or two was as warm and comfortable as he had ever been in the downy couches of the regal palace of Westminster.
Pleasant thoughts came at once; life took on a cheerfuler seeming. He was free of the bonds of servitude and crime, free of the companionship of base and brutal outlaws; he was
Alphonse Maria Mucha paintings
Alphonse Maria Mucha paintings
Benjamin Williams Leader paintings
Bartolome Esteban Murillo paintings
Berthe Morisot paintings
It was easy to think this; but it was hard to brace himself up to try it. Three times he stretched his hand a little way out into the dark gingerly; and snatched it suddenly back, with a gasp-not because it had encountered anything, but because he had felt so sure it was just going to. But the fourth time he groped a little further, and his hand lightly swept against something soft and warm. This petrified him nearly with fright-his mind was in such a state that he could imagine the thing to be nothing else than a corpse, newly dead and still warmHe thought he would rather die than touch it again. But he thought this false thought because he did not know the immortal strength of human curiosity. In no long time his hand was tremblingly groping again-against his judgment, and without his consent-but groping persistently on, just the same. It encountered a bunch of long hair; he shuddered, but followed up the hair and found what seemed to be a warm rope; followed up the rope and found an innocent calf; for the rope was not a rope at all, but the calf's tail.
The king was cordially ashamed of himself for having gotten all that fright and misery out of so paltry a matter as a slumbering calf; but he need not have felt so about it, for it was not the calf that frightened him but a dreadful non-existent something which the calf stood for; and any other boy, in those old superstitous times, would have acted and suffered just as he had done.
Benjamin Williams Leader paintings
Bartolome Esteban Murillo paintings
Berthe Morisot paintings
It was easy to think this; but it was hard to brace himself up to try it. Three times he stretched his hand a little way out into the dark gingerly; and snatched it suddenly back, with a gasp-not because it had encountered anything, but because he had felt so sure it was just going to. But the fourth time he groped a little further, and his hand lightly swept against something soft and warm. This petrified him nearly with fright-his mind was in such a state that he could imagine the thing to be nothing else than a corpse, newly dead and still warmHe thought he would rather die than touch it again. But he thought this false thought because he did not know the immortal strength of human curiosity. In no long time his hand was tremblingly groping again-against his judgment, and without his consent-but groping persistently on, just the same. It encountered a bunch of long hair; he shuddered, but followed up the hair and found what seemed to be a warm rope; followed up the rope and found an innocent calf; for the rope was not a rope at all, but the calf's tail.
The king was cordially ashamed of himself for having gotten all that fright and misery out of so paltry a matter as a slumbering calf; but he need not have felt so about it, for it was not the calf that frightened him but a dreadful non-existent something which the calf stood for; and any other boy, in those old superstitous times, would have acted and suffered just as he had done.
Andrea Mantegna paintings
Andrea Mantegna paintings
Arthur Hughes paintings
Albert Bierstadt paintings
Andreas Achenbach paintings
breath. The cold horror of that mysterious touch in the dark almost made his heart stand still. He lay motionless, and listened, scarcely breathing. But nothing stirred, and there was no sound. He continued to listen, and wait, during what seemed a long time, but still nothing stirred, and there was no sound. So he began to drop into a drowse once more at last; and all at once he felt that mysterious touch again! It was a grisly thing, this light touch from this noiseless and invisible presence; it made the boy sick with ghostly fears. What should he do? That was the question; but he did not know how to answer it. Should he leave these reasonably comfortable quarters and fly from this inscrutable horror? But fly whither? He could not get out of the barn; and the idea of scurrying blindly hither and thither in the dark, within the captivity of the four walls, with this phantom gliding after him, and visiting him with that soft hideous touch upon cheek or shoulder at every turn, was intolerable. But to stay where he was, and endure this living death all night-was that better? No. What, then, was there left to do? Ah, there was but one course; he knew it well-he must put out his hand and find that thing!
Arthur Hughes paintings
Albert Bierstadt paintings
Andreas Achenbach paintings
breath. The cold horror of that mysterious touch in the dark almost made his heart stand still. He lay motionless, and listened, scarcely breathing. But nothing stirred, and there was no sound. He continued to listen, and wait, during what seemed a long time, but still nothing stirred, and there was no sound. So he began to drop into a drowse once more at last; and all at once he felt that mysterious touch again! It was a grisly thing, this light touch from this noiseless and invisible presence; it made the boy sick with ghostly fears. What should he do? That was the question; but he did not know how to answer it. Should he leave these reasonably comfortable quarters and fly from this inscrutable horror? But fly whither? He could not get out of the barn; and the idea of scurrying blindly hither and thither in the dark, within the captivity of the four walls, with this phantom gliding after him, and visiting him with that soft hideous touch upon cheek or shoulder at every turn, was intolerable. But to stay where he was, and endure this living death all night-was that better? No. What, then, was there left to do? Ah, there was but one course; he knew it well-he must put out his hand and find that thing!
Tuesday, May 20, 2008
Philip Craig paintings
Philip Craig paintings
Paul McCormack paintings
Patrick Devonas paintings
Peder Mork Monsted paintings
Ho, swine, slaves, pensioners of his grace's princely father, where be your manners? Down on your marrow bones, all of ye, and do reverence to his kingly port and royal rags!"
With boisterous mirth they dropped upon their knees in a body and did mock homage to their prey. The prince spurned the nearest boy with his foot, and said fiercely:
"Take thou that, till the morrow come and I build thee a gibbet!"
Ah, but this was not a joke-this was going beyond fun. The laughter ceased on the instant and fury took its place. A dozen shouted:
"Hale him forth! To the horse-pond, to the horse-pond! Where be the dogs? Ho, there, Lion! ho, Fangs!"
Then followed such a thing as England had never seen before-the sacred person of the heir to the throne rudely buffeted by plebeian hands, and set upon and torn by dogs.
As night drew to a close that day, the prince found himself far down in the close-built portion of the city. His body was bruised, his hands were bleeding, and his rags were all
Paul McCormack paintings
Patrick Devonas paintings
Peder Mork Monsted paintings
Ho, swine, slaves, pensioners of his grace's princely father, where be your manners? Down on your marrow bones, all of ye, and do reverence to his kingly port and royal rags!"
With boisterous mirth they dropped upon their knees in a body and did mock homage to their prey. The prince spurned the nearest boy with his foot, and said fiercely:
"Take thou that, till the morrow come and I build thee a gibbet!"
Ah, but this was not a joke-this was going beyond fun. The laughter ceased on the instant and fury took its place. A dozen shouted:
"Hale him forth! To the horse-pond, to the horse-pond! Where be the dogs? Ho, there, Lion! ho, Fangs!"
Then followed such a thing as England had never seen before-the sacred person of the heir to the throne rudely buffeted by plebeian hands, and set upon and torn by dogs.
As night drew to a close that day, the prince found himself far down in the close-built portion of the city. His body was bruised, his hands were bleeding, and his rags were all
Alexandre Cabanel paintings
Alexandre Cabanel paintings
Anders Zorn paintings
Anne-Francois-Louis Janmot paintings
Allan R.Banks paintings
And Daisy smiled, a very happy, confident little smile.
******
That evening Mrs. Bunting forced herself to tell young Chandler that their lodger had, so to speak, disappeared. She and Bunting had thought carefully over what they would say, and so well did they carry out their programme, or, what is more likely, so full was young Chandler of the long happy day he and Daisy had spent together, that he took their news very calmly.
"Gone away, has he?" he observed casually. "Well, I hope he paid up all right?"
"Oh, yes, yes," said Mrs. Bunting hastily. "No trouble of that sort."
And Bunting said shamefacedly, "Aye, aye, the lodger was quite an honest gentleman, Joe. But I feel worried, about him. He was such a poor, gentle chap - not the sort o' man one likes to think of as wandering about by himself."
"You always said he was 'centric," said Joe thoughtfully.
"Yes, he was that," said Bunting slowly. "Regular right-down queer. Leetle touched, you know, under the thatch," and, as he tapped his head significantly, both young people burst out laughing.
Anders Zorn paintings
Anne-Francois-Louis Janmot paintings
Allan R.Banks paintings
And Daisy smiled, a very happy, confident little smile.
******
That evening Mrs. Bunting forced herself to tell young Chandler that their lodger had, so to speak, disappeared. She and Bunting had thought carefully over what they would say, and so well did they carry out their programme, or, what is more likely, so full was young Chandler of the long happy day he and Daisy had spent together, that he took their news very calmly.
"Gone away, has he?" he observed casually. "Well, I hope he paid up all right?"
"Oh, yes, yes," said Mrs. Bunting hastily. "No trouble of that sort."
And Bunting said shamefacedly, "Aye, aye, the lodger was quite an honest gentleman, Joe. But I feel worried, about him. He was such a poor, gentle chap - not the sort o' man one likes to think of as wandering about by himself."
"You always said he was 'centric," said Joe thoughtfully.
"Yes, he was that," said Bunting slowly. "Regular right-down queer. Leetle touched, you know, under the thatch," and, as he tapped his head significantly, both young people burst out laughing.
Alfred Gockel paintings
Alfred Gockel paintings
Alexei Alexeivich Harlamoff paintings
Aubrey Beardsley paintings
Andrea del Sarto paintings
She ran down and got him a bedroom candle - there was no gas in the little back bedroom upstairs. And then she watched him go slowly up.
Suddenly he turned and came down again. "Ellen," he said, in an urgent whisper, "if I was you I'd take the chain off the door, and I'd lock myself in - that's what I'm going to do. Then he can sneak in and take his dirty money away.
Mrs. Bunting neither nodded nor shook her head. Slowly she went downstairs, and there she carried out half of Bunting's advice. She took, that is, the chain off the front door. But she did not go to bed, neither did she lock herself in. She sat up all night, waiting. At half-past seven she made herself a cup of tea, and then she went into her bedroom.
Daisy opened her eyes.
"Why, Ellen," she said, "I suppose I was that tired, and slept so sound, that I never heard you come to bed or get up - funny, wasn't it?"
"Young people don't sleep as light as do old folk's Mrs. Bunting said sententiously.
"Did the lodger come in after all? I suppose he's upstairs now?"
Mrs. Bunting shook her head. "It looks as if 'twould be a fine day for you down at Richmond," she observed in a kindly tone.
Alexei Alexeivich Harlamoff paintings
Aubrey Beardsley paintings
Andrea del Sarto paintings
She ran down and got him a bedroom candle - there was no gas in the little back bedroom upstairs. And then she watched him go slowly up.
Suddenly he turned and came down again. "Ellen," he said, in an urgent whisper, "if I was you I'd take the chain off the door, and I'd lock myself in - that's what I'm going to do. Then he can sneak in and take his dirty money away.
Mrs. Bunting neither nodded nor shook her head. Slowly she went downstairs, and there she carried out half of Bunting's advice. She took, that is, the chain off the front door. But she did not go to bed, neither did she lock herself in. She sat up all night, waiting. At half-past seven she made herself a cup of tea, and then she went into her bedroom.
Daisy opened her eyes.
"Why, Ellen," she said, "I suppose I was that tired, and slept so sound, that I never heard you come to bed or get up - funny, wasn't it?"
"Young people don't sleep as light as do old folk's Mrs. Bunting said sententiously.
"Did the lodger come in after all? I suppose he's upstairs now?"
Mrs. Bunting shook her head. "It looks as if 'twould be a fine day for you down at Richmond," she observed in a kindly tone.
Nude Oil Paintings
Nude Oil Paintings
dropship oil paintings
Mediterranean paintings
Oil Painting Gallery
But she would have none of that. "I heard the gentleman say myself that he was a lunatic," she said fiercely. And then, dropping, her voice, "A religious maniac - that's what he called him."
"Well, he never seemed so to me," said Bunting stoutly. "He simply seemed to me 'centric - that's all he did. Not a bit madder than many I could tell you of." He was walking round the room restlessly, but he stopped short at last. "And what d'you think we ought to do now?"
Mrs. Bunting shook her head impatiently. "I don't think we ought to do nothing," she said. "Why should we?"
And then again he began walking round the room in an aimless fashion that irritated her.
"If only I could put out a bit of supper for him somewhere where he would get it! And his money, too? I hate to feel it's in there."
"Don't you make any mistake - he'll come back for that," said Bunting, with decision.
But Mrs. Bunting shook her head. She knew better. "Now," she said, "you go off up to bed. It's no use us sitting up any longer."
And Bunting acquiesced.
dropship oil paintings
Mediterranean paintings
Oil Painting Gallery
But she would have none of that. "I heard the gentleman say myself that he was a lunatic," she said fiercely. And then, dropping, her voice, "A religious maniac - that's what he called him."
"Well, he never seemed so to me," said Bunting stoutly. "He simply seemed to me 'centric - that's all he did. Not a bit madder than many I could tell you of." He was walking round the room restlessly, but he stopped short at last. "And what d'you think we ought to do now?"
Mrs. Bunting shook her head impatiently. "I don't think we ought to do nothing," she said. "Why should we?"
And then again he began walking round the room in an aimless fashion that irritated her.
"If only I could put out a bit of supper for him somewhere where he would get it! And his money, too? I hate to feel it's in there."
"Don't you make any mistake - he'll come back for that," said Bunting, with decision.
But Mrs. Bunting shook her head. She knew better. "Now," she said, "you go off up to bed. It's no use us sitting up any longer."
And Bunting acquiesced.
klimt gustav paintings
klimt gustav paintings
oil painting reproduction
mark rothko paintings
Old Master Oil Paintings
Before doing so he went down the passage and put the chain on the door. And about this they had a few sharp whispered words.
"You're never going to shut him out?" she expostulated angrily, beneath her breath.
"I'm not going to leave Daisy down here with that man perhaps walking in any minute."
"Mr. Sleuth won't hurt Daisy, bless you! Much more likely to hurt me," and she gave a half sob.
Bunting stared at her. "What do you mean?" he said roughly. "Come upstairs and tell me what you mean."
And then, in what had been the lodger's sitting-room, Mrs. Bunting told her husband exactly what it was that had happened.
He listened in heavy silence.
"So you see," she said at last, "you see, Bunting, that 'twas me that was right after all. The lodger was never responsible for his actions. I never thought he was, for my part."
And Bunting stared at her ruminatingly. "Depends on what you call responsible - " he began argumentatively.
oil painting reproduction
mark rothko paintings
Old Master Oil Paintings
Before doing so he went down the passage and put the chain on the door. And about this they had a few sharp whispered words.
"You're never going to shut him out?" she expostulated angrily, beneath her breath.
"I'm not going to leave Daisy down here with that man perhaps walking in any minute."
"Mr. Sleuth won't hurt Daisy, bless you! Much more likely to hurt me," and she gave a half sob.
Bunting stared at her. "What do you mean?" he said roughly. "Come upstairs and tell me what you mean."
And then, in what had been the lodger's sitting-room, Mrs. Bunting told her husband exactly what it was that had happened.
He listened in heavy silence.
"So you see," she said at last, "you see, Bunting, that 'twas me that was right after all. The lodger was never responsible for his actions. I never thought he was, for my part."
And Bunting stared at her ruminatingly. "Depends on what you call responsible - " he began argumentatively.
famous painting
famous painting
then, while her husband was dressing, Mrs. Bunting went upstairs and cleared away Mr. Sleuth's supper.
The lodger said no word while she was so engaged - no word at all.
He was sitting away from the table, rather an unusual thing for him to do, and staring into the fire, his hands on his knees.
Mr. Sleuth looked lonely, very, very lonely and forlorn. Somehow, a great rush of pity, as well as of horror, came over Mrs. Bunting's heart. He was such a - a - she searched for a word in her mind, but could only find the word "gentle " - he was such a nice, gentle gentleman, was Mr. Sleuth. Lately he had again taken to leaving his money about, as he had done the first day or two, and with some concern his landlady had seen that the store had diminished a good deal. A very simple calculation had made her realise that almost the whole of that missing money had come her way, or, at any rate, had passed through her hands.
Mr. Sleuth never stinted himself as to food, or stinted them, his landlord and his landlady, as to what he had said he would pay. And Mrs. Bunting's conscience pricked
then, while her husband was dressing, Mrs. Bunting went upstairs and cleared away Mr. Sleuth's supper.
The lodger said no word while she was so engaged - no word at all.
He was sitting away from the table, rather an unusual thing for him to do, and staring into the fire, his hands on his knees.
Mr. Sleuth looked lonely, very, very lonely and forlorn. Somehow, a great rush of pity, as well as of horror, came over Mrs. Bunting's heart. He was such a - a - she searched for a word in her mind, but could only find the word "gentle " - he was such a nice, gentle gentleman, was Mr. Sleuth. Lately he had again taken to leaving his money about, as he had done the first day or two, and with some concern his landlady had seen that the store had diminished a good deal. A very simple calculation had made her realise that almost the whole of that missing money had come her way, or, at any rate, had passed through her hands.
Mr. Sleuth never stinted himself as to food, or stinted them, his landlord and his landlady, as to what he had said he would pay. And Mrs. Bunting's conscience pricked
Monday, May 19, 2008
modern flower painting
modern flower painting
lotus flower painting
flower field painting
flower painting rose
All the time that Mrs. Bunting was reading with slow, painful intentness, her husband was looking at her, longing, yet afraid, to burst out with a new idea which he was burning to confide even to his Ellen's unsympathetic ears.
At last, when she had quite finished, she looked up defiantly.
"Haven't you anything better to do than to stare at me like that?" she said irritably. "Murder or no murder, I've got to get up! Go away - do!"
And Bunting went off into the next room.
After he had gone, his wife lay back and closed her eyes. She tried to think of nothing. Nay, more - so strong, so determined was her will that for a few moments she actually did think of nothing. She felt terribly tired and weak, brain and body both quiescent, as does a person who is recovering from a long, wearing illness.
Presently detached, puerile thoughts drifted across the surface of her mind like little clouds across a summer sky. She wondered if those horrid newspaper men were allowed to shout in Belgrave Square; she wondered if, in that case, Margaret, who was so unlike her brother-in-law, would get up and buy a paper. But no. Margaret was not one to leave her nice warm bed for such a silly reason as that.
lotus flower painting
flower field painting
flower painting rose
All the time that Mrs. Bunting was reading with slow, painful intentness, her husband was looking at her, longing, yet afraid, to burst out with a new idea which he was burning to confide even to his Ellen's unsympathetic ears.
At last, when she had quite finished, she looked up defiantly.
"Haven't you anything better to do than to stare at me like that?" she said irritably. "Murder or no murder, I've got to get up! Go away - do!"
And Bunting went off into the next room.
After he had gone, his wife lay back and closed her eyes. She tried to think of nothing. Nay, more - so strong, so determined was her will that for a few moments she actually did think of nothing. She felt terribly tired and weak, brain and body both quiescent, as does a person who is recovering from a long, wearing illness.
Presently detached, puerile thoughts drifted across the surface of her mind like little clouds across a summer sky. She wondered if those horrid newspaper men were allowed to shout in Belgrave Square; she wondered if, in that case, Margaret, who was so unlike her brother-in-law, would get up and buy a paper. But no. Margaret was not one to leave her nice warm bed for such a silly reason as that.
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Within fifty yards of the deserted warehouse yard where he had lured his victim to destruction were passing up and down scores of happy, busy people, intent on their Christmas shopping. Into that cheerful throng he must have plunged within a moment of committing his atrocious crime. And it was only owing to the merest accident that the body was discovered as soon as it was - that is, just after midnight
"Dr. Dowtray, who was called to the spot at once, is of opinion that the woman had been dead at least three hours, if not four. It was at first thought - we were going to say, hoped - that this murder had nothing to do with the series which is now puzzling and horrifying the whole of the civilised world. But no - pinned on the edge of the dead woman's dress was the usual now familiar triangular piece of grey paper - the grimmest visiting card ever designed by the wit of man! And this time The Avenger has surpassed himself as regards his audacity and daring - so cold in its maniacal fanaticism and abhorrent wickedness."
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decorative flower painting
Within fifty yards of the deserted warehouse yard where he had lured his victim to destruction were passing up and down scores of happy, busy people, intent on their Christmas shopping. Into that cheerful throng he must have plunged within a moment of committing his atrocious crime. And it was only owing to the merest accident that the body was discovered as soon as it was - that is, just after midnight
"Dr. Dowtray, who was called to the spot at once, is of opinion that the woman had been dead at least three hours, if not four. It was at first thought - we were going to say, hoped - that this murder had nothing to do with the series which is now puzzling and horrifying the whole of the civilised world. But no - pinned on the edge of the dead woman's dress was the usual now familiar triangular piece of grey paper - the grimmest visiting card ever designed by the wit of man! And this time The Avenger has surpassed himself as regards his audacity and daring - so cold in its maniacal fanaticism and abhorrent wickedness."
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acrylic flower painting
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You just go and get me that paper," she commanded. "I wants to see for myself."
Bunting went into the next room; then he came back and handed her silently the odd-looking, thin little sheet.
"Why, whatever's this?" she asked. "This ain't our paper!"
"'Course not," he answered, a trifle crossly. "It's a special early edition of the Sun, just because of The Avenger. Here's the bit about it" - he showed her the exact spot. But she would have found it, even by the comparatively bad light of the gas-jet now flaring over the dressing-table, for the news was printed in large, clear characters: -
"Once more the murder fiend who chooses to call himself The Avenger has escaped detection. While the whole attention of the police, and of the great army of amateur detectives who are taking an interest in this strange series of atrocious crimes, were concentrating their attention round the East End and King's Cross, he moved swift1y and silently Westward. And, choosing a time when the Edgware Road is at its busiest and most thronged, did another human being to death with lightning-like quickness and savagery.
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You just go and get me that paper," she commanded. "I wants to see for myself."
Bunting went into the next room; then he came back and handed her silently the odd-looking, thin little sheet.
"Why, whatever's this?" she asked. "This ain't our paper!"
"'Course not," he answered, a trifle crossly. "It's a special early edition of the Sun, just because of The Avenger. Here's the bit about it" - he showed her the exact spot. But she would have found it, even by the comparatively bad light of the gas-jet now flaring over the dressing-table, for the news was printed in large, clear characters: -
"Once more the murder fiend who chooses to call himself The Avenger has escaped detection. While the whole attention of the police, and of the great army of amateur detectives who are taking an interest in this strange series of atrocious crimes, were concentrating their attention round the East End and King's Cross, he moved swift1y and silently Westward. And, choosing a time when the Edgware Road is at its busiest and most thronged, did another human being to death with lightning-like quickness and savagery.
Thursday, May 15, 2008
canvas painting
canvas painting
Knowing that Bunting would be out for at least an hour, for he was a gregarious soul, and liked to have a gossip in the shops he frequented, Mrs. Bunting rose and dressed in a leisurely manner; then she went and "did" her front sitting-room.
She felt languid and dull, as one is apt to feel after a broken night, and it was a comfort to her to know that Mr. Sleuth was not likely to ring before twelve.
But long before twelve a loud ring suddenly clanged through the quiet l1ouse. She knew it for the front door bell.
Mrs. Bunting frowned. No doubt the ring betokened one of those tiresome people who come round for old, bottles and such-like fal-lals.
She went slowly, reluctantly to the door. And then her face cleared, for it was that good young chap, Joe Chandler, who stood waiting outside.
He was breathing a little hard, as if he had walked over-quickly through the moist, foggy air.
Knowing that Bunting would be out for at least an hour, for he was a gregarious soul, and liked to have a gossip in the shops he frequented, Mrs. Bunting rose and dressed in a leisurely manner; then she went and "did" her front sitting-room.
She felt languid and dull, as one is apt to feel after a broken night, and it was a comfort to her to know that Mr. Sleuth was not likely to ring before twelve.
But long before twelve a loud ring suddenly clanged through the quiet l1ouse. She knew it for the front door bell.
Mrs. Bunting frowned. No doubt the ring betokened one of those tiresome people who come round for old, bottles and such-like fal-lals.
She went slowly, reluctantly to the door. And then her face cleared, for it was that good young chap, Joe Chandler, who stood waiting outside.
He was breathing a little hard, as if he had walked over-quickly through the moist, foggy air.
animal painting
animal painting
Then, and not till then, she slept again. But in the morning she felt very tired, so tired indeed, that she had been very glad when Bunting good-naturedly suggested that he should go out and do their little bit of marketing.
The worthy couple had very soon discovered that in the matter of catering it was not altogether an easy matter to satisfy Mr. Sleuth, and that though he always tried to appear pleased. This perfect lodger had one serious fault from the point of view of those who keep lodgings. Strange to say, he was a vegetarian. He would not eat meat in any form. He sometimes, however, condescended to a chicken, and when he did so condescend he generously intimated that Mr. and Mrs. Bunting were welcome to a share in it.
Now to-day - this day of which the happenings were to linger in Mrs. Bunting's mind so very long, and to remain so very vivid, it had been arranged that Mr. Sleuth was to have some fish for his lunch, while what he left was to be "done up" to serve for his simple supper.
Then, and not till then, she slept again. But in the morning she felt very tired, so tired indeed, that she had been very glad when Bunting good-naturedly suggested that he should go out and do their little bit of marketing.
The worthy couple had very soon discovered that in the matter of catering it was not altogether an easy matter to satisfy Mr. Sleuth, and that though he always tried to appear pleased. This perfect lodger had one serious fault from the point of view of those who keep lodgings. Strange to say, he was a vegetarian. He would not eat meat in any form. He sometimes, however, condescended to a chicken, and when he did so condescend he generously intimated that Mr. and Mrs. Bunting were welcome to a share in it.
Now to-day - this day of which the happenings were to linger in Mrs. Bunting's mind so very long, and to remain so very vivid, it had been arranged that Mr. Sleuth was to have some fish for his lunch, while what he left was to be "done up" to serve for his simple supper.
painting in oil
painting in oil
But that there did come such a night is certain - as certain as is the fact that her discovery coincided with various occurrences which were destined to remain retrospectively memorable.
******
It was intensely dark, intensely quiet - the darkest quietest hour of the night, when suddenly Mrs. Bunting was awakened from a deep, dreamless sleep by sounds at once unexpected and familiar. She knew at once what those sounds were. They were those made by Mr. Sleuth, first coming down the stairs, and walking on tiptoe - she was sure it was. on tiptoe - past her door, and finally softly shutting the front door behind him.
Try as she would, Mrs. Bunting found it quite impossible to go to sleep again. There she lay wide awake, afraid to move lest Bunting should waken up too, till she heard Mr. Sleuth, three hours later, creep back into the house and so up to bed.
But that there did come such a night is certain - as certain as is the fact that her discovery coincided with various occurrences which were destined to remain retrospectively memorable.
******
It was intensely dark, intensely quiet - the darkest quietest hour of the night, when suddenly Mrs. Bunting was awakened from a deep, dreamless sleep by sounds at once unexpected and familiar. She knew at once what those sounds were. They were those made by Mr. Sleuth, first coming down the stairs, and walking on tiptoe - she was sure it was. on tiptoe - past her door, and finally softly shutting the front door behind him.
Try as she would, Mrs. Bunting found it quite impossible to go to sleep again. There she lay wide awake, afraid to move lest Bunting should waken up too, till she heard Mr. Sleuth, three hours later, creep back into the house and so up to bed.
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oil painting for sale
There came a time when Mrs. Bunting, looking back - as even the least imaginative of us are apt to look back to any part of our own past lives which becomes for any reason poignantly memorable - wondered how soon it was that she had discovered that her lodger was given to creeping out of the house at a time when almost all living things prefer to sleep.
She brought herself to believe - but I am inclined to doubt whether she was right in so believing - that the first time she became aware of this strange nocturnal habit of Mr. Sleuth's happened to be during the night which preceded the day on which she had observed a very curious circumstance. This very curious circumstance was the complete disappearance of one of Mr. Sleuth's three suits of clothes.
It always passes my comprehension how people can remember, over any length of time, not every moment of certain happenings, for that is natural enough, but the day, the hour, the minute when these happenings took place! Much as she thought about it afterwards, even Mrs. Bunting never quite made up her mind whether it was during the fifth or the sixth night of Mr. Sleuth's stay under her roof that she became aware that he had gone out at two in the morning and had only come in at five.
There came a time when Mrs. Bunting, looking back - as even the least imaginative of us are apt to look back to any part of our own past lives which becomes for any reason poignantly memorable - wondered how soon it was that she had discovered that her lodger was given to creeping out of the house at a time when almost all living things prefer to sleep.
She brought herself to believe - but I am inclined to doubt whether she was right in so believing - that the first time she became aware of this strange nocturnal habit of Mr. Sleuth's happened to be during the night which preceded the day on which she had observed a very curious circumstance. This very curious circumstance was the complete disappearance of one of Mr. Sleuth's three suits of clothes.
It always passes my comprehension how people can remember, over any length of time, not every moment of certain happenings, for that is natural enough, but the day, the hour, the minute when these happenings took place! Much as she thought about it afterwards, even Mrs. Bunting never quite made up her mind whether it was during the fifth or the sixth night of Mr. Sleuth's stay under her roof that she became aware that he had gone out at two in the morning and had only come in at five.
monet painting
monet painting
I know those I can trust," he had answered, stuttering rather, as was his way when moved. "And - and I assure you, Mrs. Bunting, that I hardly have to speak to a human being - especially to a woman" (and he had drawn in his breath with a hissing sound) "before I know exactly what manner of person is before me."
It hadn't taken the landlady very long to find out that her lodger had a queer kind of fear and dislike of women. When she was doing the staircase and landings she would often hear Mr. Sleuth reading aloud to himself passages in the Bible that were very uncomplimentary to her sex. But Mrs. Bunting had no very great opinion of her sister woman, so that didn't put her out. Besides, where one's lodger is concerned, a dislike of women is better than - well, than the other thing.
In any case, where would have been the good of worrying about the lodger's funny ways? Of course, Mr. Sleuth was eccentric. If he hadn't been, as Bunting funnily styled it, "just a leetle touched upstairs," he wouldn't be here, living this strange, solitary life in lodgings. He would be living in quite a different sort of way with some of his relatives, or with a friend of his own class.
I know those I can trust," he had answered, stuttering rather, as was his way when moved. "And - and I assure you, Mrs. Bunting, that I hardly have to speak to a human being - especially to a woman" (and he had drawn in his breath with a hissing sound) "before I know exactly what manner of person is before me."
It hadn't taken the landlady very long to find out that her lodger had a queer kind of fear and dislike of women. When she was doing the staircase and landings she would often hear Mr. Sleuth reading aloud to himself passages in the Bible that were very uncomplimentary to her sex. But Mrs. Bunting had no very great opinion of her sister woman, so that didn't put her out. Besides, where one's lodger is concerned, a dislike of women is better than - well, than the other thing.
In any case, where would have been the good of worrying about the lodger's funny ways? Of course, Mr. Sleuth was eccentric. If he hadn't been, as Bunting funnily styled it, "just a leetle touched upstairs," he wouldn't be here, living this strange, solitary life in lodgings. He would be living in quite a different sort of way with some of his relatives, or with a friend of his own class.
Wednesday, May 14, 2008
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famous painting picture
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Daddy Jacques returned to the chateau, and, seeing how important it was for Madame Mathieu's presence at the chateau to remain unknown, he did all he could to hide it. I appeal to Monsieur Larsan, who saw me, next morning, examine the two sets of footprints."
Here Rouletabille turning towards Madame Mathieu, with a bow, said:
"The footprints of Madame bear a strange resemblance to the neat footprints of the murderer."
Madame Mathieu trembled and looked at him with wide eyes as if in wonder at what he would say next.
"Madame has a shapely foot, long and rather large for a woman. The imprint, with its pointed toe, is very like that of the murderer's."
A movement in the court was repressed by Rouletabille. He held their attention at once.
"I hasten to add," he went on, "that I attach no importance to this. Outward signs like these are often liable to lead us into error, if we do not reason rightly. Monsieur Robert Darzac's footprints are also like the murderer's, and yet he is not the murderer!"
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Daddy Jacques returned to the chateau, and, seeing how important it was for Madame Mathieu's presence at the chateau to remain unknown, he did all he could to hide it. I appeal to Monsieur Larsan, who saw me, next morning, examine the two sets of footprints."
Here Rouletabille turning towards Madame Mathieu, with a bow, said:
"The footprints of Madame bear a strange resemblance to the neat footprints of the murderer."
Madame Mathieu trembled and looked at him with wide eyes as if in wonder at what he would say next.
"Madame has a shapely foot, long and rather large for a woman. The imprint, with its pointed toe, is very like that of the murderer's."
A movement in the court was repressed by Rouletabille. He held their attention at once.
"I hasten to add," he went on, "that I attach no importance to this. Outward signs like these are often liable to lead us into error, if we do not reason rightly. Monsieur Robert Darzac's footprints are also like the murderer's, and yet he is not the murderer!"
fine art painting landscape
fine art painting landscape
himself had been arrested in the court and had confessed to being the murderer. This goes to show to what a pitch of madness nervous excitement may carry people. Rouletabille was still expected. Some pretended to know him; and when a young man with a "pass" crossed the open space which separated the crowd from the Court House, a scuffle took place. Cries were raised of "Rouletabille! - there's Rouletabille!" The arrival of the manager of the paper was the signal for a great demonstration. Some applauded, others hissed.
The trial itself was presided over by Monsieur de Rocouz, a judge filled with the prejudice of his class, but a man honest at heart. The witnesses had been called. I was there, of course, as were all who had, in any way, been in touch with the mysteries of the Glandier. Monsieur Stangerson - looking many years older and almost unrecognisable - Larsan, Arthur Rance, with his face ruddy as ever, Daddy Jacques, Daddy Mathieu, who was brought into court handcuffed between two gendarmes, Madame Mathieu, in tears, the two Berniers, he two nurses, the steward, all the domestics of the chateau, the employe of the Paris Post Office, the railway employe from Epinay, some friends of Monsieur and Mademoiselle Stangerson, and all Monsieur Darzac's witnesses. I was lucky enough to be called early in the trial, so that I was then able to watch and be present at almost the whole of the proceedings.
himself had been arrested in the court and had confessed to being the murderer. This goes to show to what a pitch of madness nervous excitement may carry people. Rouletabille was still expected. Some pretended to know him; and when a young man with a "pass" crossed the open space which separated the crowd from the Court House, a scuffle took place. Cries were raised of "Rouletabille! - there's Rouletabille!" The arrival of the manager of the paper was the signal for a great demonstration. Some applauded, others hissed.
The trial itself was presided over by Monsieur de Rocouz, a judge filled with the prejudice of his class, but a man honest at heart. The witnesses had been called. I was there, of course, as were all who had, in any way, been in touch with the mysteries of the Glandier. Monsieur Stangerson - looking many years older and almost unrecognisable - Larsan, Arthur Rance, with his face ruddy as ever, Daddy Jacques, Daddy Mathieu, who was brought into court handcuffed between two gendarmes, Madame Mathieu, in tears, the two Berniers, he two nurses, the steward, all the domestics of the chateau, the employe of the Paris Post Office, the railway employe from Epinay, some friends of Monsieur and Mademoiselle Stangerson, and all Monsieur Darzac's witnesses. I was lucky enough to be called early in the trial, so that I was then able to watch and be present at almost the whole of the proceedings.
michelangelo painting
michelangelo painting
Seeing, as I have just now seen, Mademoiselle Stangerson pour a narcotic into her father's glass, so that he might not be awake to interrupt the conversation she is going to have with her murderer, you can imagine she &ould not be grateful to me if I brought the man of The Yellow Room and the inexplicable gallery,bound and gagged, to her father. I realise now that if I am to save the unhappy lady, I must silence the man and not capture him. To kill a human being is no small thing. Besides, that's not my business, unless the man himself makes it my business. On the other hand, to render him forever silent without the lady's assent and confidence is to act on one's own initiative and assumes a knowledge of everything with nothing for a basis. Fortunately, my friend, I have guessed, no, I have reasoned it all out. All that I ask of the man who is coming to-night is to bring me his face, so that it may enter -"
"Into the circle?"
"Exactly! And his face won't surprise me!"
"But I thought you saw his face on the night when you sprang into the chamber?"
"Only imperfectly. The candle was on the floor; and, his beard -"
Seeing, as I have just now seen, Mademoiselle Stangerson pour a narcotic into her father's glass, so that he might not be awake to interrupt the conversation she is going to have with her murderer, you can imagine she &ould not be grateful to me if I brought the man of The Yellow Room and the inexplicable gallery,bound and gagged, to her father. I realise now that if I am to save the unhappy lady, I must silence the man and not capture him. To kill a human being is no small thing. Besides, that's not my business, unless the man himself makes it my business. On the other hand, to render him forever silent without the lady's assent and confidence is to act on one's own initiative and assumes a knowledge of everything with nothing for a basis. Fortunately, my friend, I have guessed, no, I have reasoned it all out. All that I ask of the man who is coming to-night is to bring me his face, so that it may enter -"
"Into the circle?"
"Exactly! And his face won't surprise me!"
"But I thought you saw his face on the night when you sprang into the chamber?"
"Only imperfectly. The candle was on the floor; and, his beard -"
floral oil painting
floral oil painting
Then you will see me coming round the corner of the 'off-turning' gallery."
"What am I to do then?"
"You will immediately come towards me, behind the man; but I shall already be upon him, and shall have seen his face."
I attempted a feeble smile.
"Why do you smile? Well, you may smile while you have the chance, but I swear you'll have no time for that a few hours from now.
"And if the man escapes?"
"So much the better," said Rouletabille, coolly, "I don't want to capture him. He may take himself off any way he can. I will let him go - after I have seen his face. That's all I want. I shall know afterwards what to do so that as far as Mademoiselle Stangerson is concerned he shall be dead to her even though he continues to live. If I took him alive, Mademoiselle Stangerson and Robert Darzac would, perhaps, never forgive me! And I wish to retain their good-will and respect.
Then you will see me coming round the corner of the 'off-turning' gallery."
"What am I to do then?"
"You will immediately come towards me, behind the man; but I shall already be upon him, and shall have seen his face."
I attempted a feeble smile.
"Why do you smile? Well, you may smile while you have the chance, but I swear you'll have no time for that a few hours from now.
"And if the man escapes?"
"So much the better," said Rouletabille, coolly, "I don't want to capture him. He may take himself off any way he can. I will let him go - after I have seen his face. That's all I want. I shall know afterwards what to do so that as far as Mademoiselle Stangerson is concerned he shall be dead to her even though he continues to live. If I took him alive, Mademoiselle Stangerson and Robert Darzac would, perhaps, never forgive me! And I wish to retain their good-will and respect.
painting idea
painting idea
he act, which staggered me, did not appear to affect Rouletabille much. We returned to his room and, without even referring to what we had seen, he gave me his final instructions for the night. First we were to go to dinner; after dinner, I was to take my stand in the dark closet and wait there as long as it was necessary - to look out for what might happen.
"If you see anything before I do," he explained, "you must let me know. If the man gets into the 'right' gallery by any other way than the 'off-tuming' gallery, you will see him before I shall, because you have a view along the whole length of the 'right' gallery, while I can only command a view of the 'off-turning' gallery. All you need do to let me know is to undo the cord holding the curtain of the 'right' gallery window, nearest to the dark closet. The curtain will fall of itself and immediately leave a square of shadow where previously there had been a square of light. To do this, you need but stretch your hand out of the closet, I shall understand your signal perfectly."
"And then?"
he act, which staggered me, did not appear to affect Rouletabille much. We returned to his room and, without even referring to what we had seen, he gave me his final instructions for the night. First we were to go to dinner; after dinner, I was to take my stand in the dark closet and wait there as long as it was necessary - to look out for what might happen.
"If you see anything before I do," he explained, "you must let me know. If the man gets into the 'right' gallery by any other way than the 'off-tuming' gallery, you will see him before I shall, because you have a view along the whole length of the 'right' gallery, while I can only command a view of the 'off-turning' gallery. All you need do to let me know is to undo the cord holding the curtain of the 'right' gallery window, nearest to the dark closet. The curtain will fall of itself and immediately leave a square of shadow where previously there had been a square of light. To do this, you need but stretch your hand out of the closet, I shall understand your signal perfectly."
"And then?"
Tuesday, May 13, 2008
claude monet painting
claude monet painting
No doubt," interrupted Rouletabille, chuckling, - "only there is no blood, either on the lock or on the bolt!"
"What does that prove?" I rejoined with a good sense of which I was proud; "he might have opened the lock with his left hand, which would have been quite natural, his right hand being wounded."
"He didn't open it at all!" Daddy Jacques again exclaimed. "We are not fools; and there were four of us when we burst open the door!"
"What a queer hand! - Look what a queer hand it is!" I said.
"It is a very' natural hand," said Rouletabille, "of which the shape has been deformed by its having slipped on the wall. The man dried his hand on the wall. He must be a man about five feet eight in height."
"How do you come at that?"
"By the height of the marks on the wall."
My friend next occupied himself with the mark of the bullet in the wall. It was a round hole.
No doubt," interrupted Rouletabille, chuckling, - "only there is no blood, either on the lock or on the bolt!"
"What does that prove?" I rejoined with a good sense of which I was proud; "he might have opened the lock with his left hand, which would have been quite natural, his right hand being wounded."
"He didn't open it at all!" Daddy Jacques again exclaimed. "We are not fools; and there were four of us when we burst open the door!"
"What a queer hand! - Look what a queer hand it is!" I said.
"It is a very' natural hand," said Rouletabille, "of which the shape has been deformed by its having slipped on the wall. The man dried his hand on the wall. He must be a man about five feet eight in height."
"How do you come at that?"
"By the height of the marks on the wall."
My friend next occupied himself with the mark of the bullet in the wall. It was a round hole.
famous painting
famous painting
stains, drops of blood had fallen in all directions, in line with the visible traces of the footsteps - large and black - of the murderer. Everything led to the presumption that these drops of blood had fallen from the wound of the man who had, for a moment, placed his red hand on the wall. There were other traces of the same hand on the wall, but much less distinct.
"See! - see this blood on the wall!" I could not help exclaiming. "The man who pressed his hand so heavily upon it in the darkness must certainly have thought that he was pushing at a door! That's why he pressed on it so hard, leaving on the yellow paper the terrible evidence. I don't think there are many hands in the world of that sort. It is big and strong and the fingers are nearly all one as long as the other! The thumb is wanting and we have only the mark of the palm; but if we follow the trace of the hand," I continued, "we see that, after leaving its imprint on the wall, the touch sought the door, found it, and then felt for the lock -"
stains, drops of blood had fallen in all directions, in line with the visible traces of the footsteps - large and black - of the murderer. Everything led to the presumption that these drops of blood had fallen from the wound of the man who had, for a moment, placed his red hand on the wall. There were other traces of the same hand on the wall, but much less distinct.
"See! - see this blood on the wall!" I could not help exclaiming. "The man who pressed his hand so heavily upon it in the darkness must certainly have thought that he was pushing at a door! That's why he pressed on it so hard, leaving on the yellow paper the terrible evidence. I don't think there are many hands in the world of that sort. It is big and strong and the fingers are nearly all one as long as the other! The thumb is wanting and we have only the mark of the palm; but if we follow the trace of the hand," I continued, "we see that, after leaving its imprint on the wall, the touch sought the door, found it, and then felt for the lock -"
oil painting from picture
oil painting from picture
That will do! - you may now open the blinds," said Rouletabille.
"Don't come any further," Daddy Jacques begged, "you may make marks with your boots, and nothing must be deranged; it's an idea of the magistrate's - though he has nothing more to do here."
And he pushed open the shutter. The pale daylight entered from without, throwing a sinister light on the saffron-coloured walls. The floor - for though the laboratory and the vestibule were tiled, The Yellow Room had a flooring of wood - was covered with a single yellow mat which was large enough to cover nearly the whole room, under the bed and under the dressing-table - the only piece of furniture that remained upright. The centre round table, the night-table and two chairs had been overturned. These did not prevent a large stain of blood being visible on the mat, made, as Daddy Jacques informed us, by the blood which had flowed from the wound on Mademoiselle Stangerson's forehead. Besides these
That will do! - you may now open the blinds," said Rouletabille.
"Don't come any further," Daddy Jacques begged, "you may make marks with your boots, and nothing must be deranged; it's an idea of the magistrate's - though he has nothing more to do here."
And he pushed open the shutter. The pale daylight entered from without, throwing a sinister light on the saffron-coloured walls. The floor - for though the laboratory and the vestibule were tiled, The Yellow Room had a flooring of wood - was covered with a single yellow mat which was large enough to cover nearly the whole room, under the bed and under the dressing-table - the only piece of furniture that remained upright. The centre round table, the night-table and two chairs had been overturned. These did not prevent a large stain of blood being visible on the mat, made, as Daddy Jacques informed us, by the blood which had flowed from the wound on Mademoiselle Stangerson's forehead. Besides these
Mary Cassatt painting
Mary Cassatt painting
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[3] DISCLAIMER OF WARRANTIES, DAMAGES, AND CONTENT
[A] This Book and (if the School provides it on something physical, like a CD-ROM) any medium it may be on may contain "Defects" in the form (as examples) of incomplete, inaccurate, out-of-date or corrupt data, transcription errors, a copyright or other intellectual property infringement, a computer virus, or computer codes that damage or cannot be read by your equipment.
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[A] The School permits this Book to be viewed by anyone online, and to be downloaded and stored as a full or partial copy on a hard drive or other tangible medium for any personal, educational, or other non-business use, and for archival copies to be made for such uses, PROVIDED each full or partial copy includes this License without addition, deletion or modification.
[B] All rights and licenses of the School not explicitly granted here are reserved, and in particular NO permission (except as the School may, in its discretion, give in writing) is granted to use the words "World Wide School", or further to distribute the book online, on disk, as a package with any service or hardware, or otherwise.
[3] DISCLAIMER OF WARRANTIES, DAMAGES, AND CONTENT
[A] This Book and (if the School provides it on something physical, like a CD-ROM) any medium it may be on may contain "Defects" in the form (as examples) of incomplete, inaccurate, out-of-date or corrupt data, transcription errors, a copyright or other intellectual property infringement, a computer virus, or computer codes that damage or cannot be read by your equipment.
[B] The School provides this Book at its website (www.worldwideschool.org) for free. YOU ASSUME THE RISK OF DEFECTS AND ACCEPT THE BOOKS AND THE CONTENTS OF THE WEBSITE "AS IS". ALL WARRANTIES OF ANY KIND, INCLUDING ANY EXPRESS OR IMPLIED, AND THE WARRANTIES OF MERCHANTABILITY, TITLE, AND FITNESS FOR A PARTICULAR PURPOSE ARE PARTICULARLY EXCLUDED.
Edward Hopper Painting
Edward Hopper Painting
Publisher: The World Wide SchoolTM Publication Date: April 1999 Published from: Seattle, Washington, USA.
LICENSE FOR the World Wide School'sTM Mystery of the Yellow Room
THIS BOOK MAY BE DOWNLOADED, COPIED, DISTRIBUTED OR PERFORMED ONLY IN ACCORDANCE WITH THE FOLLOWING LICENSE AND CONDITIONS, TO WHICH YOU INDICATE AGREEMENT BY TAKING ANY SUCH ACTIONS.
[1] THE SCHOOL. World Wide School is a Washington State corporation with an address at 5421 California Ave SW, Seattle, WA 98136 USA (the "School"). The School owns service mark and other rights in "World Wide School", and international copyrights in the formatting, design and arrangement of the Book's content, the selection of the Book and its combination with other books, and any editorial, explanatory, or instructional material that the School may have added. To the extent the Book may contain text in the public domain, the School makes no claim of ownership.
[2] LICENSE
Publisher: The World Wide SchoolTM Publication Date: April 1999 Published from: Seattle, Washington, USA.
LICENSE FOR the World Wide School'sTM Mystery of the Yellow Room
THIS BOOK MAY BE DOWNLOADED, COPIED, DISTRIBUTED OR PERFORMED ONLY IN ACCORDANCE WITH THE FOLLOWING LICENSE AND CONDITIONS, TO WHICH YOU INDICATE AGREEMENT BY TAKING ANY SUCH ACTIONS.
[1] THE SCHOOL. World Wide School is a Washington State corporation with an address at 5421 California Ave SW, Seattle, WA 98136 USA (the "School"). The School owns service mark and other rights in "World Wide School", and international copyrights in the formatting, design and arrangement of the Book's content, the selection of the Book and its combination with other books, and any editorial, explanatory, or instructional material that the School may have added. To the extent the Book may contain text in the public domain, the School makes no claim of ownership.
[2] LICENSE
Van Gogh Sunflower
Van Gogh Sunflower
One cannot choose but wonder. Will he ever return? It may be that he swept back into the past, and fell among the blood-drinking, hairy savages of the Age of Unpolished Stone; into the abysses of the Cretaceous Sea; or among the grotesque saurians, the huge reptilian brutes of the Jurassic times. He may even now--if I may use the phrase--be wandering on some plesiosaurus-haunted Oolitic coral reef, or beside the lonely saline lakes of the Triassic Age. Or did he go forward, into one of the nearer ages, in which men are still men, but with the riddles of our own time answered and its wearisome problems solved? Into the manhood of the race: for I, for my own part cannot think that these latter days of weak experiment, fragmentary theory, and mutual discord are indeed man's culminating time! I say, for my own part. He, I know--for the question had been discussed among us long before the Time Machine was made--thought but cheerlessly of the Advancement of Mankind, and saw in the growing pile of civilization only a foolish heaping that must inevitably fall back upon and destroy its makers in the end. If that is so, it remains for us to live as though it were not so. But to me the future is still black and blank--is a vast ignorance, lit at a few casual places by the memory of his story. And I have by me, for my comfort, two strange white flowers --shrivelled now, and brown and flat and brittle--to witness that even when mind and strength had gone, gratitude and a mutual tenderness still lived on in the heart of man.
One cannot choose but wonder. Will he ever return? It may be that he swept back into the past, and fell among the blood-drinking, hairy savages of the Age of Unpolished Stone; into the abysses of the Cretaceous Sea; or among the grotesque saurians, the huge reptilian brutes of the Jurassic times. He may even now--if I may use the phrase--be wandering on some plesiosaurus-haunted Oolitic coral reef, or beside the lonely saline lakes of the Triassic Age. Or did he go forward, into one of the nearer ages, in which men are still men, but with the riddles of our own time answered and its wearisome problems solved? Into the manhood of the race: for I, for my own part cannot think that these latter days of weak experiment, fragmentary theory, and mutual discord are indeed man's culminating time! I say, for my own part. He, I know--for the question had been discussed among us long before the Time Machine was made--thought but cheerlessly of the Advancement of Mankind, and saw in the growing pile of civilization only a foolish heaping that must inevitably fall back upon and destroy its makers in the end. If that is so, it remains for us to live as though it were not so. But to me the future is still black and blank--is a vast ignorance, lit at a few casual places by the memory of his story. And I have by me, for my comfort, two strange white flowers --shrivelled now, and brown and flat and brittle--to witness that even when mind and strength had gone, gratitude and a mutual tenderness still lived on in the heart of man.
Sunday, May 11, 2008
michelangelo painting
michelangelo painting
Pinocchio set out, and as soon as he found himself in the wood, he ran like a hare. When he reached the giant oak tree he stopped, for he thought he heard a rustle in the brush. He was right. There stood the Fox and the Cat, the two traveling companions with whom he had eaten at the Inn of the Red Lobster.
"Here comes our dear Pinocchio!" cried the Fox, hugging and kissing him. "How did you happen here?"
"How did you happen here?" repeated the Cat.
"It is a long story," said the Marionette. "Let me tell it to you. The other night, when you left me alone at the Inn, I met the Assassins on the road--"
"The Assassins? Oh, my poor friend! And what did they want?"
"They wanted my gold pieces."
"Rascals!" said the Fox.
"The worst sort of rascals!" added the Cat.
"But I began to run," continued the Marionette, "and they after me, until they overtook me and hanged me to the limb of that oak."
Pinocchio pointed to the giant oak near by.
"Could anything be worse?" said the Fox.
"What an awful world to live in! Where shall we find a safe place for gentlemen like ourselves?"
Pinocchio set out, and as soon as he found himself in the wood, he ran like a hare. When he reached the giant oak tree he stopped, for he thought he heard a rustle in the brush. He was right. There stood the Fox and the Cat, the two traveling companions with whom he had eaten at the Inn of the Red Lobster.
"Here comes our dear Pinocchio!" cried the Fox, hugging and kissing him. "How did you happen here?"
"How did you happen here?" repeated the Cat.
"It is a long story," said the Marionette. "Let me tell it to you. The other night, when you left me alone at the Inn, I met the Assassins on the road--"
"The Assassins? Oh, my poor friend! And what did they want?"
"They wanted my gold pieces."
"Rascals!" said the Fox.
"The worst sort of rascals!" added the Cat.
"But I began to run," continued the Marionette, "and they after me, until they overtook me and hanged me to the limb of that oak."
Pinocchio pointed to the giant oak near by.
"Could anything be worse?" said the Fox.
"What an awful world to live in! Where shall we find a safe place for gentlemen like ourselves?"
floral oil painting
floral oil painting
Pinocchio finds the Fox and the Cat again, and goes with them to sow the gold pieces in the Field of Wonders
Crying as if his heart would break, the Marionette mourned for hours over the length of his nose. No matter how he tried, it would not go through the door. The Fairy showed no pity toward him, as she was trying to teach him a good lesson, so that he would stop telling lies, the worst habit any boy may acquire. But when she saw him, pale with fright and with his eyes half out of his head from terror, she began to feel sorry for him and clapped her hands together. A thousand woodpeckers flew in through the window and settled themselves on Pinocchio's nose. They pecked and pecked so hard at that enormous nose that in a few moments, it was the same size as before.
"How good you are, my Fairy," said Pinocchio, drying his eyes, "and how much I love you!"
"I love you, too," answered the Fairy, "and if you wish to stay with me, you may be my little brother and I'll be your good little sister."
"I should like to stay--but what about my poor father?"
"I have thought of everything. Your father has been sent for and before night he will be here."
"Really?" cried Pinocchio joyfully. "Then, my good Fairy, if you are willing, I should like to go to meet him. I cannot wait to kiss that dear old man, who has suffered so much for my sake."
"Surely; go ahead, but be careful not to lose your way. Take the wood path and you'll surely meet him."
Pinocchio finds the Fox and the Cat again, and goes with them to sow the gold pieces in the Field of Wonders
Crying as if his heart would break, the Marionette mourned for hours over the length of his nose. No matter how he tried, it would not go through the door. The Fairy showed no pity toward him, as she was trying to teach him a good lesson, so that he would stop telling lies, the worst habit any boy may acquire. But when she saw him, pale with fright and with his eyes half out of his head from terror, she began to feel sorry for him and clapped her hands together. A thousand woodpeckers flew in through the window and settled themselves on Pinocchio's nose. They pecked and pecked so hard at that enormous nose that in a few moments, it was the same size as before.
"How good you are, my Fairy," said Pinocchio, drying his eyes, "and how much I love you!"
"I love you, too," answered the Fairy, "and if you wish to stay with me, you may be my little brother and I'll be your good little sister."
"I should like to stay--but what about my poor father?"
"I have thought of everything. Your father has been sent for and before night he will be here."
"Really?" cried Pinocchio joyfully. "Then, my good Fairy, if you are willing, I should like to go to meet him. I cannot wait to kiss that dear old man, who has suffered so much for my sake."
"Surely; go ahead, but be careful not to lose your way. Take the wood path and you'll surely meet him."
painting idea
painting idea
Now keep your promise and drink these few drops of water. They'll be good for you."
We have hundreds more books for your enjoyment. Read them all!
Pinocchio took the glass in both hands and stuck his nose into it. He lifted it to his mouth and once more stuck his nose into it.
"It is too bitter, much too bitter! I can't drink it."
"How do you know, when you haven't even tasted it?"
"I can imagine it. I smell it. I want another lump of sugar, then I'll drink it."
The Fairy, with all the patience of a good mother, gave him more sugar and again handed him the glass.
"I can't drink it like that," the Marionette said, making more wry faces.
"Why?"
"Because that feather pillow on my feet bothers me."
The Fairy took away the pillow.
"It's no use. I can't drink it even now."
"What's the matter now?"
"I don't like the way that door looks. It's half open."
The Fairy closed the door.
"I won't drink it," cried Pinocchio, bursting out crying. "I won't drink this awful water. I won't. I won't! No, no, no, no!"
"My boy, you'll be sorry."
Now keep your promise and drink these few drops of water. They'll be good for you."
We have hundreds more books for your enjoyment. Read them all!
Pinocchio took the glass in both hands and stuck his nose into it. He lifted it to his mouth and once more stuck his nose into it.
"It is too bitter, much too bitter! I can't drink it."
"How do you know, when you haven't even tasted it?"
"I can imagine it. I smell it. I want another lump of sugar, then I'll drink it."
The Fairy, with all the patience of a good mother, gave him more sugar and again handed him the glass.
"I can't drink it like that," the Marionette said, making more wry faces.
"Why?"
"Because that feather pillow on my feet bothers me."
The Fairy took away the pillow.
"It's no use. I can't drink it even now."
"What's the matter now?"
"I don't like the way that door looks. It's half open."
The Fairy closed the door.
"I won't drink it," cried Pinocchio, bursting out crying. "I won't drink this awful water. I won't. I won't! No, no, no, no!"
"My boy, you'll be sorry."
Saturday, May 10, 2008
Rembrandt Painting
Rembrandt Painting
vermin that had replaced the old, might be more abundant. And on both these days I had the restless feeling of one who shirks an inevitable duty. I felt assured that the Time Machine was only to be recovered by boldly penetrating these underground mysteries. Yet I could not face the mystery. If only I had had a companion it would have been different. But I was so horribly alone, and even to clamber down into the darkness of the well appalled me. I don't know if you will understand my feeling, but I never felt quite safe at my back.
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`It was this restlessness, this insecurity, perhaps, that drove me further and further afield in my exploring expeditions. Going to the south-westward towards the rising country that is now called Combe Wood, I observed far off, in the direction of nineteenth-century Banstead, a vast green structure, different in character from any I had hitherto seen. It was larger than the largest of the palaces or ruins I knew, and the facade had an Oriental look: the face of it having the lustre, as well as the pale-green tint, a kind of bluish-green, of a certain type of Chinese porcelain. This difference in aspect suggested a difference in use, and I was minded to push on and explore. But the day was growing late, and I had come upon the sight of the place after a long and tiring circuit; so I resolved to hold
vermin that had replaced the old, might be more abundant. And on both these days I had the restless feeling of one who shirks an inevitable duty. I felt assured that the Time Machine was only to be recovered by boldly penetrating these underground mysteries. Yet I could not face the mystery. If only I had had a companion it would have been different. But I was so horribly alone, and even to clamber down into the darkness of the well appalled me. I don't know if you will understand my feeling, but I never felt quite safe at my back.
Tired of reading? Add this page to your Bookmarks or Favorites and finish it later.
`It was this restlessness, this insecurity, perhaps, that drove me further and further afield in my exploring expeditions. Going to the south-westward towards the rising country that is now called Combe Wood, I observed far off, in the direction of nineteenth-century Banstead, a vast green structure, different in character from any I had hitherto seen. It was larger than the largest of the palaces or ruins I knew, and the facade had an Oriental look: the face of it having the lustre, as well as the pale-green tint, a kind of bluish-green, of a certain type of Chinese porcelain. This difference in aspect suggested a difference in use, and I was minded to push on and explore. But the day was growing late, and I had come upon the sight of the place after a long and tiring circuit; so I resolved to hold
Van Gogh Sunflower
Van Gogh Sunflower
At once, like a lash across the face, came the possibility of losing my own age, of being left helpless in this strange new world. The bare thought of it was an actual physical sensation. I could feel it grip me at the throat and stop my breathing. In another moment I was in a passion of fear and running with great leaping strides down the slope. Once I fell headlong and cut my face; I lost no time in stanching the blood, but jumped up and ran on, with a warm trickle down my cheek and chin. All the time I ran I was saying to myself: "They have moved it a little, pushed it under the bushes out of the way." Nevertheless, I ran with all my might. All the time, with the certainty that sometimes comes with excessive dread, I knew that such assurance was folly, knew instinctively that the machine was removed out of my reach. My breath came with pain. I suppose I covered the whole distance from the hill crest to the little lawn, two miles perhaps, in ten minutes. And I am not a young man. I cursed aloud, as I ran, at my confident folly in leaving the machine, wasting good breath thereby. I cried aloud, and none answered. Not a creature seemed to be stirring in that moonlit world.
At once, like a lash across the face, came the possibility of losing my own age, of being left helpless in this strange new world. The bare thought of it was an actual physical sensation. I could feel it grip me at the throat and stop my breathing. In another moment I was in a passion of fear and running with great leaping strides down the slope. Once I fell headlong and cut my face; I lost no time in stanching the blood, but jumped up and ran on, with a warm trickle down my cheek and chin. All the time I ran I was saying to myself: "They have moved it a little, pushed it under the bushes out of the way." Nevertheless, I ran with all my might. All the time, with the certainty that sometimes comes with excessive dread, I knew that such assurance was folly, knew instinctively that the machine was removed out of my reach. My breath came with pain. I suppose I covered the whole distance from the hill crest to the little lawn, two miles perhaps, in ten minutes. And I am not a young man. I cursed aloud, as I ran, at my confident folly in leaving the machine, wasting good breath thereby. I cried aloud, and none answered. Not a creature seemed to be stirring in that moonlit world.
Thursday, May 8, 2008
famous michelangelo painting
famous michelangelo painting
The Major scrambled to his feet. He was youthful and handsome, a fine marine in his polished boots, his immaculate dungarees— donned freshly clean, Culver had observed, that morning. He was of the handsomeness preferred by other military men—regular features, clean-cut, rather athletic—but there was a trace of peacetime fleshiness in his cheeks which often lent to the corners of his mouth a sort of petulance, so that every now and again, his young uncomplicated face in deep concentration over some operations map or training schedule or order, he looked like a spoiled and arrogant baby of five. "Aye-aye, sir," he said and bent over the Colonel, bestowing upon him that third-person flattery which to Culver seemed perilously close to bootlicking and was thought to be considerably out of date, especially among the reserves. "Does the Colonel want us to run our own problem as ordered, sir?" He was a regular.
Templeton took the headset from Hobbs, who lowered the radio down beside him in the sand. "Yeah, Billy," he said, without looking up, "yeah, that'll be all right. We'll run her on time. Tell O'Leary to tell all companies to push off at thirteen-hundred."
"Aye-aye, sir." And the Major, boots sparkling, was off in a puff of pine needles and dust.
"Jesus," Mannix said. He put down his messkit and nudged Culver in the ribs.
The Major scrambled to his feet. He was youthful and handsome, a fine marine in his polished boots, his immaculate dungarees— donned freshly clean, Culver had observed, that morning. He was of the handsomeness preferred by other military men—regular features, clean-cut, rather athletic—but there was a trace of peacetime fleshiness in his cheeks which often lent to the corners of his mouth a sort of petulance, so that every now and again, his young uncomplicated face in deep concentration over some operations map or training schedule or order, he looked like a spoiled and arrogant baby of five. "Aye-aye, sir," he said and bent over the Colonel, bestowing upon him that third-person flattery which to Culver seemed perilously close to bootlicking and was thought to be considerably out of date, especially among the reserves. "Does the Colonel want us to run our own problem as ordered, sir?" He was a regular.
Templeton took the headset from Hobbs, who lowered the radio down beside him in the sand. "Yeah, Billy," he said, without looking up, "yeah, that'll be all right. We'll run her on time. Tell O'Leary to tell all companies to push off at thirteen-hundred."
"Aye-aye, sir." And the Major, boots sparkling, was off in a puff of pine needles and dust.
"Jesus," Mannix said. He put down his messkit and nudged Culver in the ribs.
famous diego rivera painting
famous diego rivera painting
performance but certainly, from where the critic Culver sat, deserving of applause: the frail, little-boned, almost pretty face peering upward with a look of attitudinized contemplation; the pensive bulge of tongue sliding inside the rim of one tanned cheek to gouge out some particle of food; small hands working calmly in the folds of the handkerchief—surely all this was more final, more commanding than the arrogant loud mastery of a Booth, more like the skill of Bernhardt, who could cow men by the mystery of her smallest twitch. Perhaps fifteen seconds passed before he spoke. Culver became irritated—at his own suspense, throbbing inside him like a heartbeat, and at the awesome silence which, as if upon order, had fallen over the group of five, detached from the bustle of the rest of the command post: the Colonel; Hobbs; Major Lawrence, the executive officer, now gazing at the Colonel with moist underlip and deferential anxiety; Captain Mannix; himself. Back off in the bushes a mockingbird commenced a shrill rippling chant and far away, amidst the depth of the silence, there seemed to be a single faint and terrible scream. Hobbs spat an auburn gob of tobacco-juice into the sand, and the Colonel spoke: "Let me have that radio, Hobbs, and get me Plumbob One," he said evenly, and then with no change of tone to the Major: "Billy, send a runner over for Doc Patterson and you two get down there with the chaplain. Take my jeep. Tell the Doc to detach all his corpsmen. And you'd better chop-chop."
performance but certainly, from where the critic Culver sat, deserving of applause: the frail, little-boned, almost pretty face peering upward with a look of attitudinized contemplation; the pensive bulge of tongue sliding inside the rim of one tanned cheek to gouge out some particle of food; small hands working calmly in the folds of the handkerchief—surely all this was more final, more commanding than the arrogant loud mastery of a Booth, more like the skill of Bernhardt, who could cow men by the mystery of her smallest twitch. Perhaps fifteen seconds passed before he spoke. Culver became irritated—at his own suspense, throbbing inside him like a heartbeat, and at the awesome silence which, as if upon order, had fallen over the group of five, detached from the bustle of the rest of the command post: the Colonel; Hobbs; Major Lawrence, the executive officer, now gazing at the Colonel with moist underlip and deferential anxiety; Captain Mannix; himself. Back off in the bushes a mockingbird commenced a shrill rippling chant and far away, amidst the depth of the silence, there seemed to be a single faint and terrible scream. Hobbs spat an auburn gob of tobacco-juice into the sand, and the Colonel spoke: "Let me have that radio, Hobbs, and get me Plumbob One," he said evenly, and then with no change of tone to the Major: "Billy, send a runner over for Doc Patterson and you two get down there with the chaplain. Take my jeep. Tell the Doc to detach all his corpsmen. And you'd better chop-chop."
famous frida kahlo painting
famous frida kahlo painting
before anyone had known, and at least ten minutes before the radio corporal, a tobacco-chewing clown from Oklahoma named Hobbs, came trotting up brushing crumbs from his mouth, a message book clutched in one fat paw. He was popular in battalion headquarters, one of those favored men who, through some simplicity or artless-ness of nature, can manage a profane familiarity which in another would be insubordinate; the look of concern on his clown's face, usually so whimsical, communicated an added dread.
"I gotta flash red from Plumbob, Colonel, and it ain't no problem emergency. All hell's broke loose over in Third Battalion. They dropped in some short rounds on a chow-line and they want corpsmen and a doctor and the chaplain. Jesus, you should hear 'em down there."
The Colonel had said nothing at first. The brief flicker of uneasiness in his eyes had fled, and when he put down his messkit and looked up at Hobbs it was only to wipe his hands on his handkerchief and squint casually into the sun, as if he were receiving the most routine of messages. It was absolutely typical of the man, Culver reflected. Too habitual to be an act yet still somehow too faintly self-conscious to be entirely natural, how many years and what strange interior struggle had gone into the perfection of such a gesture? It was good, Grade-A Templeton, perhaps not a distinctly top-notch
before anyone had known, and at least ten minutes before the radio corporal, a tobacco-chewing clown from Oklahoma named Hobbs, came trotting up brushing crumbs from his mouth, a message book clutched in one fat paw. He was popular in battalion headquarters, one of those favored men who, through some simplicity or artless-ness of nature, can manage a profane familiarity which in another would be insubordinate; the look of concern on his clown's face, usually so whimsical, communicated an added dread.
"I gotta flash red from Plumbob, Colonel, and it ain't no problem emergency. All hell's broke loose over in Third Battalion. They dropped in some short rounds on a chow-line and they want corpsmen and a doctor and the chaplain. Jesus, you should hear 'em down there."
The Colonel had said nothing at first. The brief flicker of uneasiness in his eyes had fled, and when he put down his messkit and looked up at Hobbs it was only to wipe his hands on his handkerchief and squint casually into the sun, as if he were receiving the most routine of messages. It was absolutely typical of the man, Culver reflected. Too habitual to be an act yet still somehow too faintly self-conscious to be entirely natural, how many years and what strange interior struggle had gone into the perfection of such a gesture? It was good, Grade-A Templeton, perhaps not a distinctly top-notch
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