contemporary painting

contemporary painting
chinese landscape painting
landscape art painting
contemporary landscape painting
termed a sinewy, knotty strength, of the kind we ascribe to lean and wiry men, but which, in him, because of his heavy build, partook more of the enlarged gorilla order. Not that in appearance he seemed in the least gorilla-like. What I am striving to express is this strength itself, more as a thing apart from his physical semblance. It was a strength we are wont to associate with things primitive, with wild animals and the creatures we imagine our tree-dwelling
oil painting
prototypes to have been- a strength savage, ferocious, alive in itself, the essence of life in that it is the potency of motion, the elemental stuff itself out of which the many forms of life have been molded. ¡¡¡¡Such was the impression of strength I gathered from this man who paced up and down. He was firmly planted on his legs; his feet struck the deck squarely and with surety: every movement of a muscle, from the heave of the shoulders to the tightening of the lips about the cigar, was decisive and